J.S. Bach: Sonatas & Partitas, Vol. 1
Frank Peter Zimmermann (violin)
Awards:
-
BBC Music Magazine, May 2022, Instrumental Choice
If not the last word, Zimmermann’s interpretations are the most impressive I have heard in recent years. The tone is magnificently focused, occasionally throaty but without excessive vibrato....
J.S. Bach: Sonatas & Partitas, Vol. 1
Frank Peter Zimmermann (violin)
Purchase product
Awards:
-
BBC Music Magazine, May 2022, Instrumental Choice
If not the last word, Zimmermann’s interpretations are the most impressive I have heard in recent years. The tone is magnificently focused, occasionally throaty but without excessive vibrato....
About
"Since the mid-1980s, Frank Peter Zimmermann has earned recognition as one of the leading violinists, admired not only for his technical skill and interpretive intelligence, but also for his versatility in a wide-ranging repertoire. His extensive discography spans from Bach concertos and Beethoven sonatas to works by composers such as Ligeti, Magnus Lindberg and Brett Dean. But during the four decades that Zimmermann has been making recordings, he has never previously recorded Bach’s Sei solo, the six sonatas and partitas for solo violin which form an absolute pinnacle in the repertoire for the instrument. As he now takes on these works, it is with great respect for the task at hand – Zimmermann compares them to ‘a mighty tree, which protects me and crushes me at the same time’, the music giving him hope and strength at the same time as it confronts him with his limits as a violinist. On this first disc of two he offers us Sonata No. 2 in A minor, as well as the D minor Partita No. 2 with the iconic Chaconne and Partita No. 3 in E major."
Contents and tracklist
Awards and reviews
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BBC Music MagazineMay 2022Instrumental Choice
May 2022
If not the last word, Zimmermann’s interpretations are the most impressive I have heard in recent years. The tone is magnificently focused, occasionally throaty but without excessive vibrato. His structural approach avoids being didactic but instead allows each movement to ‘react’ to its predecessor in a satisfying realisation of the whole
Sep/Oct 2022
There is no evidence of stress or strain in his execution. His bowing has bite, but it’s a clean bite that leaves no ragged edges, and with his fully modernized “Lady Inchquin” Strad he produces a tone at once pure and strong and of great beauty...easily a top recommendation for Bach’s Solo Violin Sonatas and Partitas.
