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Mozart & Strauss: Oboe Concertos

Cristina Gómez Godoy (oboe), West-Eastern Divan Orchestra, Daniel Barenboim

Awards:

Godoy’s tone has an exceptional purity and beauty, without a trace of narcissism, and her musicianship is as gifted as it gets...the West-Eastern Divan Orchestra’s contribution is state-of-the-art,...

Mozart & Strauss: Oboe Concertos

Cristina Gómez Godoy (oboe), West-Eastern Divan Orchestra, Daniel Barenboim

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Awards:

Godoy’s tone has an exceptional purity and beauty, without a trace of narcissism, and her musicianship is as gifted as it gets...the West-Eastern Divan Orchestra’s contribution is state-of-the-art,...

About

“I couldn’t have imagined a better constellation for my first album!” says Cristina Gómez Godoy about her first recording. She has chosen this repertoire because these pieces made her fall in love with the instrument and music. As a musician in Daniel Barenboim’s Berlin-based orchestra, she feels very privileged to have recorded her first album with him, accompanied by the West Eastern Divan Orchestra, with whom she has played for many years

Contents and tracklist

I. Allegro aperto
Track length7:47
II. Adagio non troppo
Track length7:10
III. Rondo - Allegretto
Track length6:04
I. Allegro moderato
Track length8:58
II. Andante
Track length8:46
III. Vivace
Track length8:06

Awards and reviews

  • BBC Music Magazine
    April 2022
    Concerto Choice
  • International Classical Music Awards
    2023
    Nominated - Concerto

April 2022

Godoy’s tone has an exceptional purity and beauty, without a trace of narcissism, and her musicianship is as gifted as it gets...the West-Eastern Divan Orchestra’s contribution is state-of-the-art, responding to Barenboim’s direction with a special class of supportive alertness.

March 2022

Godoy’s tone is rich and velvety, and ideally suited to the ecstatic, songful outpouring of Strauss’s 1945 Oboe Concerto.

17th April 2022

this recording by the Staatskapelle Berlin’s principal oboist is a joy: the Spaniard locates fresh nuance and beauty in the ever-familiar Mozart and, in harness with Barenboim and his pan-Middle Eastern players, captures thrillingly the fecundity of Richard Strauss’s Indian summer.
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