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Fleur de mon âme

Karen Cargill (mezzo-soprano), Simon Lepper (piano), Royal Scottish National Orchestra Soloists

Fleur de mon âme

Awards:

The intimacy and tenderness which she and Lepper bring to Hahn's evergreen À Chloris is worth the price of the disc alone, but everything here is utterly beguiling, with the strings of the RSNO...

Fleur de mon âme

Karen Cargill (mezzo-soprano), Simon Lepper (piano), Royal Scottish National Orchestra Soloists

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This release includes a digital booklet

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Awards:

The intimacy and tenderness which she and Lepper bring to Hahn's evergreen À Chloris is worth the price of the disc alone, but everything here is utterly beguiling, with the strings of the RSNO...

About

Following their Linn debut, a ‘breathtaking album of songs by Gustav and Alma Mahler’ (The Herald), Karen Cargill and Simon Lepper return to fin de siècle Europe for a recital of songs by the ‘crème de la crème’ of late nineteenth-century French speaking composers. Entitled Fleur de mon âme, the album embraces the sensual soundworld of Hahn, Debussy, Chausson, Jongen and Duparc. The album opens with À Chloris which recalls the elegance of the seventeenth century before borrowing from the poetry of Ancient Greece in Chansons de Bilitis and setting sail on a calm sea with Chausson’s Sérénade italienne. Guest soloists from the Royal Scottish National Orchestra add orchestral colour to Chausson’s Chanson perpétuelle and Calmes aux quais déserts by lesser -

known Belgian composer Joseph Jongen. The compelling romanticism of Duparc’s songs complete this bouquet of soul-searching French mélodies.

Contents and tracklist

I. La flûte de Pan
Track length2:58
II. La chevelure
Track length3:48
III. Le tombeau des naïades
Track length3:04

Awards and reviews

  • Presto Editor's Choice
    September 2021

September 2021

The intimacy and tenderness which she and Lepper bring to Hahn's evergreen À Chloris is worth the price of the disc alone, but everything here is utterly beguiling, with the strings of the RSNO providing luscious support in Joseph Jongen's Calmes, aux quais déserts and Chausson's Chanson perpétuelle.
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