Chausson - Le Charme, Op. 2 No. 2 (Silvestre)
Genres:
Vocal » Chansons & Mélodies
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Fleur de mon âme
Karen Cargill (mezzo-soprano), Simon Lepper (piano), Royal Scottish National Orchestra Soloists
The intimacy and tenderness which she and Lepper bring to Hahn's evergreen À Chloris is worth the price of the disc alone, but everything here is utterly beguiling, with the strings of the RSNO... — More…
Awards:
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Presto Editor's Choice, September 2021
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Gérard Souzay
RecommendedGérard Souzay (baritone), Jacqueline Bonneau (piano)
Orchestre de la Société des Concerts du Conservatoire, Edouard Lindenberg
Awards:
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Building a Library, October 2006, Historic Choice
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Gramophone Awards, 2004, Winner - Historic Reissue
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Middleton is everywhere a sensitive and imaginative accompanist to Amanda Roocroft, whse intimate, emotionally versatile singing is always engaging, even if there are times when her soprano... — More…
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Melodies Francaises pour Bariton
Gerard Souzay (baritone), Jacqueline Bonneau (piano)
with Paris Conservatoire Orchestra, Eduoard Lindberg
France's equivalent of Fischer-Dieskau sings Fauré, Duparc and Ravel with characteristic expressive elegance that transcends the rather elderly recordings. — More…
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The Songs of Chausson
Dame Felicity Lott (soprano), Ann Murray (mezzo soprano), Chris Pedro Trakas (baritone), Graham Johnson (piano), Geraldine McGreevy (soprano)
Chilingirian Quartet
With this disc, the music of Chausson really does find revelatory new significance — More…
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Chausson: Poème de l'amour et de la mer, Chanson perpétuelle & Mélodies
Jessye Norman, Michel Dalberto, Ronald Patterson, Salvatore Sansalone, Jean-Pierre Pigerre, Lane Anderson
Orchestre Philharmonique de Monte-Carlo, Armin Jordan
The free-flowing late 19th-century Romanticism of Ernest Chausson overflows with colour and opulence. And if any voice was destined to match this music, it was that of Jessye Norman, whose account... — More…
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Special offer. Michel Dalberto: The Making of a Musician
Complete Erato Recordings
Michel Dalberto (piano)
The real news is a hitherto unreleased account of Liszt’s Transcendental Études, S139, Dalberto’s reasoning for his change of heart being that after a period of 32 years he is able to listen... — More…
