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Special offer. Farrenc: Symphonies Nos. 1 & 3

Insula Orchestra, Laurence Equilbey

Farrenc: Symphonies Nos. 1 & 3

Awards:

post-Beethovenian works that show Farrenc at her distinctive best.

Special offer. Farrenc: Symphonies Nos. 1 & 3

Insula Orchestra, Laurence Equilbey

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This release includes a digital booklet

Stream now Hi-RES 96 kHz, 24 bit

Awards:

post-Beethovenian works that show Farrenc at her distinctive best.

About

Laurence Equilbey, conducting her period-instrument Insula Orchestra, champions the composer Louise Farrenc, a prominent and pioneering figure in 19th century Paris. This album presents two of Farrenc’s three symphonies, No. 1 in C minor, first heard in 1845, and No. 3 in G minor, premiered in 1849. “The score is so well written that it deserves a prominent place in the history of the early Romantic symphony,” wrote the Financial Times after a performance of the Symphony No 3 in London, marking International Women’s Day 2018. “Equilbey and the Insula orchestra gave it a fleet, fiery performance. Their crusading spirit lived up to the day’s billing.” The Daily Telegraph observed that the symphony “was full of engaging inventions … It’s clearly a fine piece; all it needs now is to be heard, many times.”

Contents and tracklist

I. Andante sostenuto. Allegro
Track length9:34
II. Adagio cantabile
Track length9:09
III. Minuetto. Moderato
Track length4:27
IV. Allegro assai
Track length8:12
I. Adagio. Allegro
Track length9:32
II. Adagio cantabile
Track length10:33
This track is only available as an album download.
III. Scherzo. Vivace
Track length6:41
IV. Finale. Allegro
Track length6:41

Spotlight on this release

Awards and reviews

  • Presto Recording of the Week
    9th July 2021
  • Gramophone Magazine
    October 2021
    Editor's Choice
  • International Classical Music Awards
    2022
    Nominated - Symphonic Music

December 2021

post-Beethovenian works that show Farrenc at her distinctive best.

Nov/Dec 2021

It would be hard to imagine better performances, a better sounding recording, or better advocacy for Farrenc than we receive here from Laurence Equilbey and her period instrument chamber orchestra, the Insula Orchestra.

October 2021

In their lucidity, colour and feeling for the music’s architecture, with climaxes unerringly prepared and clinched, these performances would be hard to better.

9th July 2021

It’s a delight to hear woodwind textures used so generously...The Adagio cantabile [of No. 3] – a masterclass in elegant lyricism that is definitely my favourite movement on the album – opens with a beautiful cantilena for clarinet accompanied by rich low woodwind. Lest one think that the wind have all the fun, though, the Scherzo’s rushing semiquavers and trills put the strings through their paces – it’s credit to the players’ agility that the touch remains light, and Equilbey is clearly keen to keep the pace up.

24th July 2021

For the woodwind writing alone, brilliant and unusual, this music stands out from the symphonic crowd, played here with style.
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