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Mozart: La finta giardiniera

Krešimir Špicer (Don Anchise), Julie Martin du Theil (La Marchesa Violante), Bernard Richter (Il Contino Belfiore), Anett Fritsch (Arminda), Lucia Cirillo (Ramiro), Giulia Semenzato (Serpetta), Mattia Olivieri (Nardo)

Orchestra del Teatro alla Scala (on period instruments), Diego Fasolis, Frederic...

this is an interesting and hugely enjoyable performance of a production that certainly has its flaws and errors, but also the merit of original thought that fundamentally respects the intentions...

Mozart: La finta giardiniera

Krešimir Špicer (Don Anchise), Julie Martin du Theil (La Marchesa Violante), Bernard Richter (Il Contino Belfiore), Anett Fritsch (Arminda), Lucia Cirillo (Ramiro), Giulia Semenzato (Serpetta), Mattia Olivieri (Nardo)

Orchestra del Teatro alla Scala (on period instruments), Diego Fasolis, Frederic...

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this is an interesting and hugely enjoyable performance of a production that certainly has its flaws and errors, but also the merit of original thought that fundamentally respects the intentions...

About

Mozart wrote La finta giardiniera in 1775 when he was 18 years old. It was his first staged buffo opera and centres on the lovers at the heart of the action, Sandrina – the pretend garden-girl of the title – and Belfiore. With few ensembles, Mozart channels his most intense and expressive music into arias which demonstrate a masterful ability to convey the full range of tenderness and passion. Originally staged at Glyndebourne in 2014 by Frederic Wake-Walker, this 2018 revival from La Scala is performed on period instruments with a strong cast and expertly conducted with exuberance and charm by Diego Fasolis.

Artists

Krešimir Špicer (Don Anchise), Julie Martin du Theil (La Marchesa Violante), Bernard Richter (Il Contino Belfiore), Anett Fritsch (Arminda), Lucia Cirillo (Ramiro), Giulia Semenzato (Serpetta), Mattia Olivieri (Nardo)

Orchestra del Teatro alla Scala (on period instruments), Diego Fasolis, Frederic Wake-Walker

Awards and reviews

January 2022

this is an interesting and hugely enjoyable performance of a production that certainly has its flaws and errors, but also the merit of original thought that fundamentally respects the intentions of the work.
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