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Special offer. Johann Strauss II: Ritter Pásmán

Eberhard Waechter (Ritter Pasman), Josef Hopferweiser (Karl Robert von Anjou), Sona Ghazarian (Die Konign), Trudeliese Schmidt (Eva), Artur Kom (Rodomonte), Horst Witsche (Hofmarschall Omode), Axelle Gall (Gundy), Peter Drahosch (Mischu), ORF Vienna Radio Symphony Orchestra, Heinz Wallberg

Johann Strauss II: Ritter Pásmán
Heinz Wallberg draws a terrifically zingy performance from his Viennese radio orchestra...In fact, the whole thing has the air of ease and style that comes from a team of performers who instinctively...

Special offer. Johann Strauss II: Ritter Pásmán

Eberhard Waechter (Ritter Pasman), Josef Hopferweiser (Karl Robert von Anjou), Sona Ghazarian (Die Konign), Trudeliese Schmidt (Eva), Artur Kom (Rodomonte), Horst Witsche (Hofmarschall Omode), Axelle Gall (Gundy), Peter Drahosch (Mischu), ORF Vienna Radio Symphony Orchestra, Heinz Wallberg

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2 CDs

Original price $25.75 Reduced price $20.60

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

$25.75

320 kbps, MP3

$20.00

This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit
Heinz Wallberg draws a terrifically zingy performance from his Viennese radio orchestra...In fact, the whole thing has the air of ease and style that comes from a team of performers who instinctively...

About

When the court opera director Wilhelm Jahn commissioned Johann Strauss Jr to write a ‘genuine’ opera, the Waltz King readily accepted. The result was Ritter Pásmán, his only stage work to step into the more exclusive genre of opera, even though the plot is reminiscent of the world of operetta. Based on the narrative poem Pázmán lovag by the Hungarian writer János Aranyi (1817-1882), it deals with jealousy and reciprocity. The comic opera's premiere at the Vienna Court Opera on New Year’s Day 1892 was a major society event, but its artistic success lagged somewhat behind; the reviewers of the premiere gave it a cool reception, even though they hailed the ballet music at the beginning of Act III as an absolute masterpiece. (It's worth noting that this was the first time a cimbalom had been used in the court opera orchestra).

Contents and tracklist

Prelude [Live]
Track length2:52
Die Männer gehen fort vom Haus [Live]
Track length0:57
Gundy, was gähnst du? [Live]
Track length2:10
Auf Feldern, in den Wäldern [Live]
Track length2:13
Der Ritter Pásmán schickte mich [Live]
Track length1:49
Mischu, laß hören [Live]
Track length2:40
Ich bin ein Ungar und Edelmann [Live]
Track length4:22
Fort von Napels gold'ner Zone [Live]
Track length1:22
Ich sollte mich schämen [Live]
Track length5:35
Verzeih', du himmlisch reines Wesen [Live]
Track length3:20
Hoi hoh [Live]
Track length1:48
Grüss' Gott, Frau Eva! [Live]
Track length2:39
Ich will den Adel an' Nagel hängen [Live]
Track length4:09
Ein Ring, ein Ring [Live]
Track length2:46
Der Wein, der Wein [Live]
Track length4:36
Herbei zur Fischerei [Live]
Track length3:03
Sie hört nicht [Live]
Track length4:38
Was hab ich getan! [Live]
Track length3:26
Ich trage Schuld [Live]
Track length2:26
Nie verrate [Live]
Track length5:14
O gold'ne Frucht [Live]
Track length2:49
Brr! Warum ist mir so kalt [Live]
Track length2:17
Nur leise, zur heimlichen Reise [Live]
Track length3:06
Der Lärm ist vorbei [Live]
Track length4:29
Mir war so wohl [Live]
Track length4:37
Auf's Pferd ich reit [Live]
Track length2:01
Introduction [Live]
Track length2:27
Heil uns'rer Königin [Live]
Track length3:23
Euch schlägt mein ganzes Herz entgegen [Live]
Track length4:20
Ballet [Live]
Track length4:20
Rodomonte, der Narr ist da [Live]
Track length5:24
So sag', was hast du vom Kuss geseh'n [Live]
Track length2:07
Ha! Eva hier! [Live]
Track length1:46
Nun sag mir endlich seinen Namen [Live]
Track length4:18
Verzeih', holde Königin [Live]
Track length5:15
I. Polka (Bonus Track)
Track length5:01
II. Andante grazioso - Waltz (Bonus Track)
Track length9:01
III. Czardas (Bonus Track)
Track length5:14

Awards and reviews

July 2021

Heinz Wallberg draws a terrifically zingy performance from his Viennese radio orchestra...In fact, the whole thing has the air of ease and style that comes from a team of performers who instinctively know what needs to be done.

April 2022

The performance itself sounds idiomatic enough, if a little rough. As the put-out Pásmán, Eberhard Waechter sounds gruff, his voice a bit worn, while maintaining plenty of conviction.
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