Telemann: 3 Overture Suites

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Release Date: 27th Nov 2020
Catalogue No: 555389-2
Label: CPO
Length: 65 minutes

Usually despatched in 3 - 4 working days

Telemann: Ouverture Suite in G major, TWV 55:G1

Work length19:41

$8.00

$10.40

L'Orfeo Barockorchester
Carin van Heerden

I. Ouverture

Track length4:07

$1.00

$1.30

II. Air. Doucement

Track length1:39

$1.00

$1.30

III. Prelude. Vistement

Track length0:48

$1.00

$1.30

IV. Air. Lentement

Track length1:49

$1.00

$1.30

V. Air en Menuet – Menuet II

Track length4:16

$1.00

$1.30

VI. Air en sarabande

Track length4:05

$1.00

$1.30

VII. Entrée

Track length1:24

$1.00

$1.30

VIII. Angloise

Track length1:33

$1.00

$1.30

Telemann: Overture (Suite) TWV 55:B13 in B flat major

Work length21:37

$8.00

$10.40

L'Orfeo Barockorchester
Carin van Heerden

I. Ouverture

Track length3:59

$1.00

$1.30

II. Gigue

Track length0:58

$1.00

$1.30

III. Gavotte

Track length1:22

$1.00

$1.30

IV. Menuet

Track length2:17

$1.00

$1.30

V. Plainte

Track length4:01

$1.00

$1.30

VI. Bourree

Track length0:48

$1.00

$1.30

VII. Affetuoso e molto adagio

Track length5:45

$1.00

$1.30

VII. Passepied alternativement

Track length2:27

$1.00

$1.30

Telemann: Ouverture-Suite in G Major, TWV 55:G5

Work length24:41

$10.00

$13.00

L'Orfeo Barockorchester
Carin van Heerden

I. Ouverture

Track length3:55

$1.00

$1.30

II. Les Augures

Track length2:37

$1.00

$1.30

III. Rondeaux

Track length2:46

$1.00

$1.30

IV. Entrée

Track length2:25

$1.00

$1.30

V. La Joye

Track length1:02

$1.00

$1.30

VI. Sarabande

Track length2:03

$1.00

$1.30

VII. Gigue

Track length1:57

$1.00

$1.30

VIII. Gavotte en rondeau

Track length1:02

$1.00

$1.30

IX. Plainte

Track length3:25

$1.00

$1.30

X. Menuet

Track length3:29

$1.00

$1.30

About
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About

The work group formed by Telemann’s overture suites is regarded as exemplary and even today offers a wealth of discoveries – and the three works presented here in CD recording premieres certainly answer this description. It is difficult to determine the chronological order of Telemann’s extant overture suites because the composer incorporated very different influences into them, not only from French music since the invention of the form by Jean-Baptiste Lully but also from the »Lullists« active in Germany such as Johann Sigismund Kusser, Philipp Heinrich Erlebach, and Johann Fischer. And for Telemann’s pronounced tendency to mix existing formal, stylistic, and generic traditions, the overture suite formed an absolutely ideal foil. Here we can find diverse characters, formal combinations, and stylistic interconnections in great supply. The great imagination and spirit at work here are also shown in the plentiful stores of surprising ideas that shine like flashes of brainstorm lightning in various passages.

Telemann: 3 Overture Suites

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