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Rossini: Amici e Rivali

Michael Spyres (tenor), Lawrence Brownlee (tenor), I Virtuosi Italiani, Corrado Rovaris

Rossini: Amici e Rivali

Awards:

Lawrence Brownlee takes the higher parts. Airy and buoyant in his top register, he can negotiate all the notes with ease. Michael Spyres is equally stylish, though there are a couple of moments...

Rossini: Amici e Rivali

Michael Spyres (tenor), Lawrence Brownlee (tenor), I Virtuosi Italiani, Corrado Rovaris

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Awards:

Lawrence Brownlee takes the higher parts. Airy and buoyant in his top register, he can negotiate all the notes with ease. Michael Spyres is equally stylish, though there are a couple of moments...

About

Two of today’s most brilliant tenors, Michael Spyres and Lawrence Brownlee, strike sparks off each other as they celebrate the star tenors of Rossini’s time, such as Andrea Nozzari, Giovanni David, and Manuel García. Amici e Rivali – ‘Friends and Rivals’ – comprises arias, duets and trios from seven of the composer’s operas, including the ever-popular Il barbiere di Siviglia and the rarely heard Ricciardo e Zoraide. The ‘duelling tenors’ are joined by the effervescent Irish mezzo-soprano Tara Erraught, the prize-winning young Spanish tenor Xabier Anduaga, I Virtuosi Italiani and conductor Corrado Rovaris.

Contents and tracklist

"S'ella mi è ognor fedele" (Ricciardo)
Track length3:37
"Qual sarà mai la gioia" (Ricciardo, Ernesto)
Track length3:25
"Donala a questo core" (Agorante, Ricciardo)
Track length5:57
"Teco or sarà" (Agorante, Ricciardo)
Track length3:25
"Nume! se a' miei sospiri" (Uberto, Elena)
Track length4:10
"Qual pena in me già desta" (Uberto, Rodrigo, Elena)
Track length1:43
"Non m'inganno" - "Al mio rivale" (Otello, Iago)
Track length7:00
"Ah! vieni, nel tuo sangue vendicherò le offese" (Otello, Rodrigo)
Track length4:47
"Che fiero punto e questo" (Otello, Rodrigo, Desdemona)
Track length6:49
"Grand Dieu, faut-il qu'un peuple" (Néoclès)
Track length4:49
"Cher Cléomène" (Cléomène, Néoclès)
Track length5:37
"Céleste providence" (Cléomène, Néoclès, Pamyra)
Track length5:27

Spotlight on this release

Awards and reviews

  • Presto Recording of the Week
    13th November 2020
  • Opera
    January 2021
    Disc of the Month
  • Record Review
    12th December 2020
    Record of the Week
  • Gramophone Magazine
    January 2021
    Editor's Choice
  • Gramophone Awards
    2021
    Shortlisted - Voice & Ensemble
  • International Classical Music Awards
    2022
    Nominated - Vocal
  • Diapason d’Or de l’Année
    2021
    Récital lyrique

February 2021

Lawrence Brownlee takes the higher parts. Airy and buoyant in his top register, he can negotiate all the notes with ease. Michael Spyres is equally stylish, though there are a couple of moments when he’s less than ideally fluent…With plenty of forward drive under Corrado Rovaris, the periodinstrument orchestra is neat, accurate and light-textured.

January 2021

Their voices contrast very well. Brownlee’s tenor fits the Giovanni David mould, light and flexible with glistening brilliance in his upper register. Spyres, with his darker, baritonal tenor, suits the Nozzari roles, powerful and weighty, but with top notes that can really zing...With I Virtuosi Italiani offering sterling support under Corrado Rovaris, this is a must-have disc for discerning fans of vocal fireworks.

January 2021

I’ve found myself hard put to think of a parallel achievement in singer-recital recordings, certainly of recent times. The performances combine front-rank vocal virtuosity with dedicated artistry, serious purpose with showbiz flair; the selection of works, but also the full-hearted participation of a first-rate conductor and chamber orchestra, plus a ‘supporting cast’ of real distinction.

13th November 2020

If the spark between David and Nozzari was anywhere near as electrifying as the frisson which the two Americans generate here it’s small wonder that the composer quickly realised he was onto a good thing...the sheer delight and inspiration which the two singers find in one another’s artistry shines through even in the more sombre excerpts from works like Otello and Le Siège de Corinthe.

1st November 2020

This is impressive: two superb Rossinians in music written for the virtuoso tenors David and Nozzari in the composer’s nine Neapolitan operas from the 1810s. Brownlee has a brighter tone than Spyres, who sings Figaro in the Barber of Seville duet, but the latter shines in the darker French Rossini.
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