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Special offer. Bach: Partitas for Harpsichord (BWV 825-830)

Colin Tilney (harpsichord)

Bach: Partitas for Harpsichord (BWV 825-830)
To my mind, what makes this a superior set is the adroit and lively performance by Tilney. He instinctively knows where the phrasing emphasis is to be placed, how the registrations on his instrument...

Special offer. Bach: Partitas for Harpsichord (BWV 825-830)

Colin Tilney (harpsichord)

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3 CDs

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This release includes a digital booklet

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To my mind, what makes this a superior set is the adroit and lively performance by Tilney. He instinctively knows where the phrasing emphasis is to be placed, how the registrations on his instrument...

About

Johann Sebastian Bach's six Partitas for Harpsichord are among the greatest and most inspired works of all keyboard literature. They represent the composer's genius at the height of his maturity, matched only by his Goldberg Variations. They are performed here by Colin Tilney on a copy of an instrument by Christian Zell, Hamburg, 1728, built by Colin Booth, Wells, England, 1984. Colin Tilney is internationally known for his harpsichord, clavichord and fortepiano playing, with many solo recordings on DG (Archive), EMI Electrola, Decca, Hyperion, Dorian, Doremi and CBC SM 5000. Originally working in London as an accompanist and repetiteur, in 1979 he moved to Canada, first to Toronto, where he taught at the Royal Conservatory of Music and founded the chamber group Les Coucous Bénévoles; more recently (2002) to Victoria where he is on the staff of the Music School at the University of Victoria. J.S. Bach: Partitas for Harpsichord is his eighth recording for Music & Arts.

Contents and tracklist

I. Præludium
Track length2:24
II. Allemande
Track length4:58
III. Courante
Track length4:08
IV. Sarabande
Track length6:16
V. Menuets I & II
Track length3:30
VI. Gigue
Track length3:47
I. Sinfonia
Track length5:50
II. Allemande
Track length5:31
III. Courante
Track length3:33
IV. Sarabande
Track length3:33
V. Rondeaux
Track length2:14
VI. Capriccio
Track length2:43
I. Fantasia
Track length3:17
II. Allemande
Track length3:19
III. Courante
Track length2:11
IV. Sarabande
Track length3:54
V. Burlesca
Track length2:58
VI. Scherzo
Track length1:49
VII. Gigue
Track length5:34
I. Ouverture
Track length7:56
II. Allemande
Track length6:11
III. Courante
Track length5:15
IV. Aria
Track length2:57
V. Sarabande
Track length3:27
VI. Menuet
Track length2:13
VII. Gigue
Track length5:41
I. Præambulum
Track length3:14
II. Allemande
Track length2:55
III. Courante
Track length2:49
IV. Sarabande
Track length4:11
V. Tempo di minuetto
Track length2:30
VI. Passepied
Track length2:23
VII. Gigue
Track length3:24
I. Toccata
Track length8:23
II. Allemande
Track length4:33
III. Courante
Track length3:23
IV. Air
Track length2:06
V. Sarabande
Track length4:15
VI. Tempo di gavotta
Track length2:58
VII. Gigue
Track length4:42

Awards and reviews

May/June 2021

To my mind, what makes this a superior set is the adroit and lively performance by Tilney. He instinctively knows where the phrasing emphasis is to be placed, how the registrations on his instrument work to the best advantage, and how to accomplish the often tortuous interweaving lines that Bach includes.
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