Mozart: Requiem & Vesperae solennes de confessore

Arman extracts full drama from the work with some driving tempos…His well-filled disc also offers a vivacious Solemn Vespers. — Gramophone Magazine, November 2020

Release Date: 25th Sep 2020
Catalogue No: 900926
Label: BR Klassik
Length: 2 hours 33 minutes

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This release includes a digital booklet

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Arman: Ecce sacerdos magnus - Organ Intonation (Live)

Work length0:20

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Raphael Alpermann (tenor), Nikolaus Pfannkuch (organ)

Excerpt, Mozart: Vesperae solennes de confessore in C, K339

Work length3:47

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Christina Landshamer (soprano), Sophie Harmsen (mezzo-soprano), Julian Prégardien (tenor), Tareq Nazmi (bass)
Chor des Bayerischen Rundfunks, Alte Akademie für Alte Musik Berlin
Howard Arman

I. Dixit Dominus (Live)

Track length3:47

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Ecce sacerdos magnus (Live)

Work length0:17

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Non est inventus - Organ Intonation (Live)

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Vesperae solennes de confessore, K. 339

Work length4:07

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II. Confitebor (Live)

Track length4:07

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Non est inventus (Live)

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Ideo jurejurando - Organ Intonation (Live)

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Vesperae solennes de confessore, K. 339

Work length4:32

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III. Beatus vir (Live)

Track length4:32

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Ideo jurejurando (Live)

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Sacerdotes Dei - Organ Intonation (Live)

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Vesperae solennes de confessore, K. 339

Work length3:20

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IV. Laudate pueri (Live)

Track length3:20

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Sacerdotes Dei (Live)

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Serve bone et fidelis - Organ Intonation (Live)

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Vesperae solennes de confessore, K. 339

Work length4:19

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V. Laudate Dominum (Live)

Track length4:19

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Serve bone et fidelis (Live)

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Dum esset summus pontifex - Organ Intonation (Live)

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Vesperae solennes de confessore, K. 339

Work length4:00

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VI. Magnificat (Live)

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Dum esset summus pontifex (Live)

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Mozart: Requiem in D Minor, K. 626 (Completed by H. Arman & F.X. Süssmayr)

Work length44:49

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Christina Landshamer (soprano), Sophie Harmsen (mezzo-soprano), Julian Prégardien (tenor), Tareq Nazmi (bass)
Chor des Bayerischen Rundfunks, Alte Akademie für Alte Musik Berlin
Howard Arman

I. Introitus. Requiem aeternam [Live]

Track length4:39

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II. Kyrie eleison [Live]

Track length2:20

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IIIa. Sequenz. Dies irae [Live]

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IIIb. Sequenz. Tuba mirum [Live]

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IIIc. Sequenz. Rex tremendae [Live]

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IIId. Sequenz. Recordare [Live]

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IIIe. Sequenz. Confutatis [Live]

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IIIf. Sequenz. Lacrimosa [Live]

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IVa. Offertorium. Domine Jesu [Live]

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IVb. Offertorium. Hostias [Live]

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IVc. Offertorium. Quam olim abrahae [Live]

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V. Sanctus [Live]

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VI. Benedictus [Live]

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VII. Agnus Dei [Live]

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VIII. Communio. Lux aeterna [Live]

Track length5:07

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Neukomm: Libera me, Domine

Work length7:07

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Chor des Bayerischen Rundfunks, Alte Akademie für Alte Musik Berlin
Howard Arman

Libera me, Domine (1) [Live]

Track length1:32

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Tremens factus sum ego (Live)

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Quando coeli movendi sunt (Live)

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Dies illa (Live)

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Requiem aeternam (Live)

Track length1:28

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Libera me, Domine (2) [Live]

Track length1:40

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Mozart: Wege zur Musik, Mozart Requiem in D Minor, K. 626, Teil 1 "Tod und Verklärung"

Work length24:07

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$8.75

Christian Baumann, Howard Arman, Hans Jürgen Stockerl, Burchard Dabinnus, Katja Schild
Chor des Bayerischen Rundfunks, Deutsche Kammerphilharmonie
Peter Dijkstra

Eine neue Vervollständigung

Track length4:09

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Die tragische Tonart

Track length4:03

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Der graue Bote

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Der wahre Endzweck unseres Lebens

Track length5:38

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Dokument des Verschwindens

Track length6:45

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Mozart: Wege zur Musik, Mozart Requiem in D Minor, K. 626, Teil 2 "Lückenfüller"

Work length30:37

$7.00

$8.40

$12.25

Christian Baumann, Hans Jürgen Stockerl, Howard Arman, Franziska Ball
Chor des Bayerischen Rundfunks, Deutsche Kammerphilharmonie
Peter Dijkstra

Anonymus

Track length5:09

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Das Fragment

Track length6:40

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Klangfarben als Symbol

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Remplissage

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Herausforderung Fuge

Track length6:59

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Berufliche Perspektiven

Track length2:58

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Wege zur Musik, Mozart Requiem in D Minor, K. 626, Teil 3 "Mythos und Manuskript"

Work length18:09

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Burchard Dabinnus, Franziska Ball

Süßmayr

Track length3:35

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Eybler

Track length2:50

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Urschrift und Erstdruck

Track length4:30

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Der Requiemstreit

Track length3:01

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Libera me

Track length4:13

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"The version submitted by Howard Arman for the Bavarian Radio Chorus is based on surviving Mozart sources as well as on Süßmayr's additions. Mozart's Requiem is followed by Neukomm's Respond Libera me, Domine – and for musical, liturgical and chronological reasons, the programme begins with Mozart's Vesperae solennes de Confessore KV 339 (1780), composed of psalms from the Old Testament as well as the Magnificat from the Gospel of St Luke and composed for the liturgical festival of a holy confessor. Howard Arman has prepended Mozart’s movements for the festival vespers with antiphons taken from the vespers De Confessore Pontifici (for a confessor who was a bishop) of the Gregorian Liber usualis, and has also composed his own organ intonations to enhance the antiphons. Although it remained incomplete as Mozart’s last work, the Requiem in D minor (1791) ranks as one of the most important settings of the Latin Mass for the Dead ever written. Immediately after Mozart's all too premature death, his pupil Franz Xaver Süßmayr elaborated a completed version that is still appreciated and regularly performed to this day because of its close proximity to the original – and this despite a number of new adaptations created over the years that sometimes add cautious improvements to the Süßmayr version or instead follow their own lights entirely."

Reviews

November 2020

Arman extracts full drama from the work with some driving tempos…His well-filled disc also offers a vivacious Solemn Vespers.

Mozart: Requiem & Vesperae solennes de confessore

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