[Ruubel is] a top-notch violinist, and the fact that she spends much of her time as leader of the Estonian National Symphony Orchestra means some ideal fine tuning with her fellow players, in naturally balanced sound, for what amounts to a symphony-concerto; the nonshowy way in which the soloist comes to life on her first entry is typical of the interpretation...[Järvi’s] volatility and masterly control of rubato would seem ideal for this composer. The playing from all concerned has the electricity of a live performance.