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Beethoven: Piano Concerto No. 4 & 2 Overtures

Kristian Bezuidenhout (fortepiano), Freiburger Barockorchester, Pablo Heras-Casado

Beethoven: Piano Concerto No. 4 & 2 Overtures

Awards:

I have never heard this concerto sound so interesting and surprising. It is, of course, known as Beethoven’s most introspective. Here it fascinates anew for the sheer sounds it makes and for...

Beethoven: Piano Concerto No. 4 & 2 Overtures

Kristian Bezuidenhout (fortepiano), Freiburger Barockorchester, Pablo Heras-Casado

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This release includes a digital booklet

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Awards:

I have never heard this concerto sound so interesting and surprising. It is, of course, known as Beethoven’s most introspective. Here it fascinates anew for the sheer sounds it makes and for...

About

In their own way Beethoven’s five piano concertos relate a part of their composer’s life. In the previous volume of this complete recording, Kristian Bezuidenhout, Pablo Heras-Casado and the musicians of the Freiburger Barockorchester explored the beginning (Concerto no.2, a springboard to Viennese fame) and the end (the ‘Emperor’) of the story. They now turn to the most personal of all the Beethoven concertos, the Fourth which, at a time when the spectre of total deafness threatened his career, shattered the conventions of the genre - as did such orchestral works as Coriolan and the Overture to The Creatures of Prometheus.

Contents and tracklist

I. Allegro moderato
Track length18:35
This track is only available as an album download.
II. Andante con moto
Track length4:55
III. Rondo. Vivace
Track length9:44

Awards and reviews

  • Gramophone Magazine
    October 2020
    Editor's Choice

Jan/Feb 2021

I have never heard this concerto sound so interesting and surprising. It is, of course, known as Beethoven’s most introspective. Here it fascinates anew for the sheer sounds it makes and for unexpected contrasts to be found within it. Heras-Casado is a perfect collaborator, eliciting growling thrust from his strings and fruity sonorities from the Freiburg winds.

October 2020

Repeated listening has convinced me this is one of the finest, most deeply perceptive and thrilling performances of Beethoven’s Fourth Concerto on record. But make no mistake, Bezuidenhout’s triumph could only be achieved by the hand-in-glove support and interplay provided by Heras-Casado and the Freiburgers… If you love Beethoven, delight in the sound of precise and imaginative ensemble and revel in brilliant piano-playing, whatever you do, do not miss this.
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