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Donizetti: Il Castello di Kenilworth

Jessica Pratt (Elisabetta), Carmela Remigio (Amelia), Stefan Pop (Warney), Xabier Anduaga (Leicester), Dario Russo (Lambourne) & Federica Vitali (Fanny)

Orchestra Donizetti Opera & Coro Donizetti Opera, Riccardo Frizza

Jessica Pratt’s Elizabeth takes a while to hit form, while as her rival Amelia Carmela Remigio is both physically and vocally expressive, offering liquid tone. As the two-timing Earl of Leicester,...

Donizetti: Il Castello di Kenilworth

Jessica Pratt (Elisabetta), Carmela Remigio (Amelia), Stefan Pop (Warney), Xabier Anduaga (Leicester), Dario Russo (Lambourne) & Federica Vitali (Fanny)

Orchestra Donizetti Opera & Coro Donizetti Opera, Riccardo Frizza

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Jessica Pratt’s Elizabeth takes a while to hit form, while as her rival Amelia Carmela Remigio is both physically and vocally expressive, offering liquid tone. As the two-timing Earl of Leicester,...

About

Recorded during the 2018 Donizetti Festival, Il Castello di Kenilworth was first staged at Naples’ San Carlo in 1829. Drawn from a novel by Sir Walter Scott and adapted by librettist Leone Tottola, this rare opera was unjustly long neglected. This recording features the original version, with the role of Warney entrusted to a tenor (which the composer changed into a baritone in the 1836 revision of the score).Il Castello di Kenilworth is the first of the several successful works to follow that Donizetti based on British history, introducing the character of Queen Elizabeth I, torn by the inner struggle between a monarch’s duty and a woman’s feelings. The fundamental pivot of the drama is the antagonism between the two female characters who both dwell and suffer in their loneliness, in a male-dominated world. The performance received excellent reviews, praising the richness of the costumes, the sobriety of the stage setting, and, mostly, the vocal and acting skills of the whole cast, which features first-rate singers like opera stars Jessica Pratt and Carmela Remigio, who share the stage with talented tenors Stefan Pop and emerging talent Xabier Anduaga “A first-class cast, with an imaginative production team, under the musical direction of Riccardo Frizza, have been assembled, and it is not an exaggeration to say that together they have produced a compelling case for “Il Castello di Kenilworth” to be given further consideration. […] It was musically engaging, full of bel canto charm, with some wonderful melodies, and notwithstanding its formulaic format, was dramatically convincingly. (Alan Neilson – Operawire)

Sung in: Italian

Audio Format: DDD

Recording date & place: November 2018 –Teatro Sociale – Bergamo, Italy

Duration: 131 min.

Contents and tracklist

Prelude (Live)
Track length0:54
Act 1: Amici a che solleciti? (Live)
Track length4:24
Act 1: Veggo ahimè (Live)
Track length2:13
Act 1: Oh affetti tiranni (Live)
Track length3:46
Act 1: Ah de’ miei voti al colmo (Live)
Track length3:22
Act 1: M’odi Lambourne? (Live)
Track length2:33
Act 1: Vieni - Dove mi traggi (Live)
Track length2:17
Act 1: Non mentir su quella fronte (Live)
Track length4:02
Act 1: Amami, o cara (Live)
Track length7:17
Act 1: Immaginar chi mai potea (Live)
Track length1:13
Act 1: Eccola... Ah vedi... (Live)
Track length3:43
Act 1: Sì, miei figli (Live)
Track length3:17
Act 1: In estasi soave è l’alma (Live)
Track length5:59
Act 2: Warney, m’arresti invan (Live)
Track length2:37
Act 2: Ah Leicester, tu qui? (Live)
Track length1:58
Act 2: Del genitor che fea (Live)
Track length6:37
Act 2: Conoscer mi basti, ingrata (Live)
Track length3:34
Act 2: Cauti, guardinghi e taciti (Live)
Track length3:22
Act 2: Eccomi a voi (Live)
Track length2:13
Act 2: Taci, amor! (Live)
Track length2:00
Act 2: Amici m’udite (Live)
Track length5:42
Act 2: Dal suo rapace artiglio (Live)
Track length1:32
Act 2: Son sola, oh miei sospiri (Live)
Track length3:44
Act 2: Perché t’affanni e piangi (Live)
Track length4:55
Act 2: Della caccia il lieto segno (Live)
Track length4:00
Act 2: Che da te la sua sorte dipenda (Live)
Track length6:47
Act 3: E Amelia? - Ivi è rinchiusa (Live)
Track length7:18
Act 3: Tutto è svanito (Live)
Track length4:58
Act 3: Ti riveggo, Fanny (Live)
Track length1:48
Act 3: Par che mi dica ancora (Live)
Track length4:18
Act 3: Fuggì l’immagine tanto gradita (Live)
Track length4:22
Act 3: Ti calma: Il ciel saprà (Live)
Track length5:10
Act 3: Tu potesti un solo istante (Live)
Track length3:59
Act 3: È paga alfin quest’alma (Live)
Track length4:22

Spotlight on this release

Awards and reviews

September 2019

Jessica Pratt’s Elizabeth takes a while to hit form, while as her rival Amelia Carmela Remigio is both physically and vocally expressive, offering liquid tone. As the two-timing Earl of Leicester, tenor Xabier Anduaga exhibits expert singing, though he’s a rather basic actor…Frizza knows exactly how such pieces go and holds the performance together with skill.

September 2019

The Donizetti Festival gathered a respectable cast under the lively Italian conductor Riccardo Frizza and the results are enjoyable. Jessica Pratt is a spirited soprano in bel canto repertoire and gives Elisabetta plenty of coloratura fire. Carmela Remigio has a warmer soprano and presents a sympathetic Amelia.

August 2019

Admirers of Donizetti – and we are many – should definitively give it a listen.

December 2019

The Bergamo performance’s great strength is the conducting of Riccardo Frizza. With his vast experience in bel canto, he knows exactly how to maintain the dramatic momentum throughout, his tempos are ideally judged, he supports the cavatinas with consistent sensitivity, and he enlivens the many cabalettas with all the necessary buoyant energy.
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