Reason in Madness
Carolyn Sampson (soprano) & Joseph Middleton (piano)
Much of this repertory suits Sampson wonderfully well. Her silvery tone suggests fragility from the outset, while her restrained way with words admirably conveys the vagaries of desire, distress... — More…
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Presto Editor's ChoiceApril 2019
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Excerpt,
- Carolyn Sampson (soprano)
No. 4, Sie trugen ihn auf der Bahre bloß
Schumann: Herzeleid, Op.107 No.1
- Carolyn Sampson (soprano), Joseph Middleton (piano)
Strauss, R: Drei Lieder der Ophelia Op. 67
- Carolyn Sampson (soprano), Joseph Middleton (piano)
No. 1, Wie erkenn ich mein Treulieb vor andern nun?
No. 2, Guten Morgen, 's ist Sankt Valentinstag
No. 3, Sie trugen ihn auf der Bahre bloß
Excerpt,
- Carolyn Sampson (soprano), Joseph Middleton (piano)
No. 1, Hymne à Astarté
Debussy: Trois chansons de Bilitis
- Carolyn Sampson (soprano), Joseph Middleton (piano)
No. 1, La flûte de Pan
No. 2, La chevelure
No. 3, Le tombeau des naïades
Excerpt,
- Carolyn Sampson (soprano), Joseph Middleton (piano)
No. 5, Épitaphe de Bilitis
Duparc: Romance de Mignon, Op. 2 No. 3
- Carolyn Sampson (soprano), Joseph Middleton (piano)
Wolf, H: Mignon Lieder from Goethe-Lieder
- Carolyn Sampson (soprano), Joseph Middleton (piano)
No. 9, Kennst du das Land?
No. 5, Mignon I "Heiß mich nicht reden"
No. 6, Mignon II "Nur wer die Sehnsucht kennt"
No. 7, Mignon III "So lasst mich scheiden, bis ich werde"
Schubert: Gretchen am Spinnrade, D118
- Carolyn Sampson (soprano), Joseph Middleton (piano)
Brahms: Mädchenlied, Op. 107 No. 5
- Carolyn Sampson (soprano), Joseph Middleton (piano)