Johann Sebastian Bach - Víkingur Ólafsson
Víkingur Ólafsson (piano)
Awards:
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Gramophone Magazine, November 2018
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Presto Recordings of the Year, Finalist 2018
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BBC Music Magazine, Christmas 2018
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BBC Music Magazine Awards, 2019, Winner - Instrumental
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BBC Music Magazine Awards, 2019, Recording of the Year
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Opus Klassik Awards, 2019, Winner - Solo Recital (piano)
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Limelight Magazine Recordings of the Year, 2019, Nominated - Instrumental
I expected this to be good; but just how good it was was still a surprise…Ólafsson creates a ravishing musical sequence. Every track has its own allure, and many reflect a virtuosity which is...
Johann Sebastian Bach - Víkingur Ólafsson
Víkingur Ólafsson (piano)
Purchase product
Awards:
-
Gramophone Magazine, November 2018
-
Presto Recordings of the Year, Finalist 2018
-
BBC Music Magazine, Christmas 2018
-
BBC Music Magazine Awards, 2019, Winner - Instrumental
-
BBC Music Magazine Awards, 2019, Recording of the Year
-
Opus Klassik Awards, 2019, Winner - Solo Recital (piano)
-
Limelight Magazine Recordings of the Year, 2019, Nominated - Instrumental
I expected this to be good; but just how good it was was still a surprise…Ólafsson creates a ravishing musical sequence. Every track has its own allure, and many reflect a virtuosity which is...
About
Contents and tracklist
- Víkingur Ólafsson (piano)
- Recorded: 2018-04-01
- Recording Venue: Harpa Concert Hall, Reykjavik
Bach, J S:
Nun freut euch, lieben Christen g'mein, Chorale Prelude BWV 734 (Transcr. Wilhelm Kempff)
Work length1:51
- Víkingur Ólafsson (piano)
- Recorded: 2018-04-01
- Recording Venue: Harpa Concert Hall, Reykjavik
Bach, J S:
Prelude & Fugue in E Minor (Well-Tempered Clavier, Book I, No. 10), BWV 855
Work length3:19
- Víkingur Ólafsson (piano)
- Recorded: 2018-04-01
- Recording Venue: Harpa Concert Hall, Reykjavik
- Víkingur Ólafsson (piano)
- Recorded: 2018-04-01
- Recording Venue: Harpa Concert Hall, Reykjavik
- Víkingur Ólafsson (piano)
- Recorded: 2018-04-01
- Recording Venue: Harpa Concert Hall, Reykjavik
- Víkingur Ólafsson (piano)
- Recorded: 2018-04-01
- Recording Venue: Harpa Concert Hall, Reykjavik
- Víkingur Ólafsson (piano)
- Recorded: 2018-04-01
- Recording Venue: Harpa Concert Hall, Reykjavik
- Víkingur Ólafsson (piano)
- Recorded: 2018-04-01
- Recording Venue: Harpa Concert Hall, Reykjavik
- Víkingur Ólafsson (piano)
- Recorded: 2018-04-01
- Recording Venue: Harpa Concert Hall, Reykjavik
- Víkingur Ólafsson (piano)
- Recorded: 2018-04-01
- Recording Venue: Harpa Concert Hall, Reykjavik
- Víkingur Ólafsson (piano)
- Recorded: 2018-04-01
- Recording Venue: Harpa Concert Hall, Reykjavik
- Víkingur Ólafsson (piano)
- Recorded: 2018-04-01
- Recording Venue: Harpa Concert Hall, Reykjavik
- Víkingur Ólafsson (piano)
- Recorded: 2018-04-01
- Recording Venue: Harpa Concert Hall, Reykjavik
- Víkingur Ólafsson (piano)
- Recorded: 2018-04-01
- Recording Venue: Harpa Concert Hall, Reykjavik
- Víkingur Ólafsson (piano)
- Recorded: 2018-04-01
- Recording Venue: Harpa Concert Hall, Reykjavik
- Víkingur Ólafsson (piano)
- Recorded: 2018-04-01
- Recording Venue: Harpa Concert Hall, Reykjavik
- Víkingur Ólafsson (piano)
- Recorded: 2018-04-01
- Recording Venue: Harpa Concert Hall, Reykjavik
- Víkingur Ólafsson (piano)
- Recorded: 2018-04-01
- Recording Venue: Harpa Concert Hall, Reykjavik
Spotlight on this release
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Awards and reviews
-
Gramophone MagazineNovember 2018
-
Presto Recordings of the YearFinalist 2018
-
BBC Music MagazineChristmas 2018
-
Opus Klassik Awards2019Winner - Solo Recital (piano)
-
Limelight Magazine Recordings of the Year2019Nominated - Instrumental
Christmas 2018
I expected this to be good; but just how good it was was still a surprise…Ólafsson creates a ravishing musical sequence. Every track has its own allure, and many reflect a virtuosity which is never flaunted; he treats the preludes and fugues as though they had been conceived as tone-poems or études.
November 2018
Here is an artist who palpably adores and reveres JSB in equal measure, and makes sense of a programme that could have sounded bitty…In terms of pianistic lineage, Ólafsson combines the fantasy of Maria João Pires and Martha Argerich with the contrapuntal élan of Piotr Anderszewski. But he is very much his own man.
March 2019
There is much to enjoy here, nonetheless: highlights include the Concerto in D minor after Marcello (which has earned notoriety for being featured in 50 Shades of Grey) and the Fantasia and Fugue BWV 904. With a recording of stunning clarity made in Reykjavík’s Harpa Concert House, all the shades – grey or otherwise – make their mark.
2nd December 2018
Bach at the keyboard has rarely sounded so fresh, expressive and joyous.