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Alfred Brendel: Live in Vienna

Alfred Brendel (piano)

Wiener Philharmoniker, Sir Simon Rattle

Alfred Brendel: Live in Vienna

Awards:

This [the Brahms] is playing of tremendous incisiveness, highly energetic in both physical and intellectual terms. Brendel traces a powerful thread of development and logic through the set’s...

Alfred Brendel: Live in Vienna

Alfred Brendel (piano)

Wiener Philharmoniker, Sir Simon Rattle

Purchase product

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$13.75

320 kbps, MP3

$10.00

This release includes a digital booklet

Stream now lossless, 44.1 kHz, 16 bit

Awards:

This [the Brahms] is playing of tremendous incisiveness, highly energetic in both physical and intellectual terms. Brendel traces a powerful thread of development and logic through the set’s...

About

Live recordings from Austrian Radio broadcasts (ORF) released for the very first time by one of the greatest musicians of all time.

The Schumann Piano Concerto requires virtually everything a pianist should have to offer: poetry, virtuosity, poised restraint – Brendel passes the test on all accounts with his passionate, insightful and refreshing interpretation.

On this Schumann Piano Concerto performance, taken from Brendel’s 70th Birthday residency in 2001, with the inestimable partners in Sir Simon Rattle and the Wiener Philharmoniker, Alfred Brendel writes that “listening to this live recording I felt that, for once, I heard what I wanted to hear”.

Brahms “Handel” Variations are what many consider to be the most imposing piece of its kind composed in the four decades that separate it from Beethoven’s “Diabelli” Variations.

A work with a wealth of different characters, colour and masterful disposition. The Fugue in particular is something to marvel at with its contrapuntal and pianistic power. Even Wagner had to concede that the result was impressive, “One sees what can still be done with the old forms when someone comes along who knows how to handle them”.

Brendel has never recorded the Brahms “Handel” Variations in the studio which makes this his first commercially available recording of the work

Contents and tracklist

1. Allegro affettuoso
Track length15:19
2. Intermezzo (Andantino grazioso)
Track length4:37
3. Allegro vivace
Track length11:30
Aria
Track length0:52
Variation I
Track length0:55
Variation II
Track length0:42
Variation III
Track length0:42
Variation IV
Track length0:53
Variation V
Track length1:19
Variation VI
Track length0:57
Variation VII
Track length0:35
Variation VIII
Track length0:38
Variation IX
Track length0:59
Variation X
Track length0:35
Variation XI
Track length0:52
Variation XII
Track length1:06
Variation XIII
Track length1:30
Variation XIV
Track length0:37
Variation XV
Track length0:44
Variation XVI
Track length0:34
Variation XVII
Track length0:36
Variation XVIII
Track length1:09
Variation XIX
Track length0:54
Variation XX
Track length1:17
Variation XXI
Track length0:40
Variation XXII
Track length1:06
Variation XXIII
Track length0:34
Variation XXIV
Track length0:34
Variation XXV
Track length0:39
Fuga
Track length5:31

Spotlight on this release

Awards and reviews

July 2018

This [the Brahms] is playing of tremendous incisiveness, highly energetic in both physical and intellectual terms. Brendel traces a powerful thread of development and logic through the set’s successive variations; voicing is superb and there’s a splendid variety of touch and texture, while the whole interpretation is shot through with the adrenaline of live performance.

June 2018

So do we need another account of the Schumann from Brendel? Yes, when it’s this fine...Rattle and Brendel mould a reading that ebbs and flows with complete naturalness...Brendel may have been playfully dismissive of [the Brahms] but there’s no sense of halfheartedness about this performance...This is without question an essential addition to the Brendel discography.

16th March 2018

Brendel seems happy to allow the orchestra to come through where appropriate, and this meant that I could hear every quiet string entry perfectly. That's not to say that he is ever underpowered, however: the first-movement cadenza is impressively robust…[In the Brahms] it's a joy to listen to the range of colours and variations of tone that Brendel produces.
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