Help
Skip to main content

Siface: L’amor castrato

Arias by Stradella, Pasquini, Cavalli, Scarlatti et al.

Filippo Mineccia (countertenor)

Nereydas, Javier Ulises Illán

Siface: L’amor castrato

Awards:

This is repertory...that for the most part suits his dark, handsome-sounding alto uncommonly well. Long, slowly unfolding lines are sustained with consummate ease and his coloratura has admirable...

Siface: L’amor castrato

Arias by Stradella, Pasquini, Cavalli, Scarlatti et al.

Filippo Mineccia (countertenor)

Nereydas, Javier Ulises Illán

Purchase product

88.2 kHz, 24 bit, FLAC/ALAC/WAV

$17.50

44.1 kHz, 16 bit, FLAC/ALAC/WAV

$13.00

320 kbps, MP3

$10.00

This release includes a digital booklet

Stream now Hi-RES 88.2 kHz, 24 bit

Awards:

This is repertory...that for the most part suits his dark, handsome-sounding alto uncommonly well. Long, slowly unfolding lines are sustained with consummate ease and his coloratura has admirable...

About

With Siface: l’amor castrato, countertenor Filippo Mineccia, together with Javier Ulises Illán and Nereydas, presents a short imaginary pasticcio opera reflecting the music-making and life of the contralto castrato known by that stage name.

Born Giovanni Francesco Grossi in 1653 in the Grand Duchy of Tuscany, Siface was acclaimed for his exciting musical performances, yet who became famous also for the tragedy of his love life. He was called upon to sing in operas and oratorios by the likes of Stradella, Pasquini, Bassani, Pallavicino and Agostini. For a long time in the service of Francesco II d’Este in Modena, Siface was an active member of the musical “ducal circuit” in the Italian peninsula, even, on one occasion, additionally being sent to England, where he performed before monarchy, and met and impressed Henry Purcell.

Filippo Mineccia brilliantly captures the kaleidoscopic rush of emotions coursing through this selection of arias, which reflects the torrid and spectacular musical pace of life in late seventeenth-century Italy (as well as mirroring Siface’s own downfall on the road from Ferrara to Bologna).

The Spanish ensemble Nereydas fully enter into the spirit of this, by turns, colourful, heartfelt, poignant and vivid celebration of vocal and instrumental music, which also features works by Alessandro Scarlatti (the emotive lullaby Dormi o fulmine), Francesco Cavalli and Purcell (My song shall be alway).

Contents and tracklist

San Giovanni Battista: Overture
Track length1:54
San Giovanni Battista: Amiche selve
Track length0:36
San Giovanni Battista: Deste un tempo
Track length1:19
Vespasiano: È pur caro il poter dire
Track length1:41
La Susanna: Voi donzelle
Track length3:01
San Giovanni Battista: Soffin pur rabbiosi
Track length3:40
La sete di Cristo: Overture
Track length3:58
Scipione affricano: Hora si ch'assai più fiero
Track length3:23
San Giovanni Battista: Io per me non cangerei
Track length4:07
Il Bassiano: Overture
Track length3:33
II ratto delle Sabine: Hor ch'in sopor profondo
Track length1:06
II ratto delle Sabine: Sorgi o bella da le piume
Track length2:52
I due germani rivali: Tremino, crollino
Track length1:54
La tromba della divina misericordia: Overture
Track length1:33
L'ingresso alla gioventù di Claudio Nerone: Languia d'amor
Track length1:28
L'ingresso alla gioventù di Claudio Nerone: Con un bacio
Track length3:42
I fatti di Mosè nel deserto: D'una fede al vivo zelo
Track length2:16
La Susanna: Overture
Track length3:14
La Susanna: Ma folle e ben chi crede
Track length1:41
Il Giona: Core misero
Track length2:15
II ratto delle Sabine: Voglio guerra
Track length1:50
I fatti di Mosè nel deserto: Ma nostre voci flebili
Track length3:44
La Giuditta: Dormi o fulmine
Track length6:40

Awards and reviews

  • Gramophone Magazine
    July 2018
    Editor's Choice

July 2018

This is repertory...that for the most part suits his dark, handsome-sounding alto uncommonly well. Long, slowly unfolding lines are sustained with consummate ease and his coloratura has admirable liquidity...The Spanish period ensemble Nereydas play with precision and élan for Javier Ulises Illán, coming into their own in the orchestral extracts that signal shifts in mood as the recital progresses. It’s a fascinating disc. Do listen to it.
View download progress