The Gershwin Moment

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What [Gerstein] serves up here is living, breathing Gershwin that doesn’t shy from improvisation and yet retains all the crystal clarity and architectural cohesion of his interpretations of Liszt... — Gramophone Magazine, March 2018 More…

Release Date: 23rd Feb 2018
Catalogue No: MYR022
Label: Myrios
Length: 73 minutes

Gramophone Magazine

March 2018

Editor's Choice
Presto Editor's Choice

February 2018
Presto Recordings of the Year

Finalist 2018

Gershwin: Rhapsody in Blue (Original 1924 Jazz Band Version) [Orch. F. Grofé] [Live]

Work length17:34

$4.00

$4.80

$7.00

Kirill Gerstein (piano), Scott Andrews (clarinet)
Saint Louis Symphony Orchestra
David Robertson

Excerpt, Wild: 7 Virtuoso Etudes after Gershwin

Work length5:58

$2.00

$2.40

$3.50

Kirill Gerstein (piano)

No. 2, Somebody Loves Me (Live)

Track length3:32

$1.00

$1.20

$1.75

No. 6, I Got Rhythm (Live)

Track length2:26

$1.00

$1.20

$1.75

Levant: Blame It on My Youth (Arr. for Piano & Vibraphone) [Live]

Work length7:21

$2.00

$2.40

$3.50

Kirill Gerstein (piano), Gary Burton (vibraphone)

Excerpt, Gershwin: Porgy and Bess

Work length5:38

$1.00

$1.20

$1.75

Storm Large (vocals), Kirill Gerstein (piano)

Summertime (Arr. for Voice & Piano) [Live]

Track length5:38

$1.00

$1.20

$1.75

Gershwin: Piano Concerto in F major

Work length33:32

$8.00

$9.60

$14.00

Kirill Gerstein (piano), Thomas Drake (trumpet)
Saint Louis Symphony Orchestra
David Robertson

I. Allegro (Live)

Track length13:31

$3.00

$3.60

$5.25

II. Adagio (Live)

Track length12:39

$3.00

$3.60

$5.25

III. Allegro agitato (Live)

Track length7:22

$2.00

$2.40

$3.50

Excerpt, Wild: 7 Virtuoso Etudes after Gershwin

Work length3:35

$1.00

$1.20

$1.75

No. 4, Embraceable You (Live)

Track length3:35

$1.00

$1.20

$1.75

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Interview, Kirill Gerstein on The Gershwin Moment

1st March 2018

The pianist talks to Katherine about his new album, which includes the jazz-band version of Rhapsody in Blue, the Piano Concerto in F, and song transcriptions by Earl Wild.

A Gershwin Moment is upon us: Rhapsody in Blue and the Concerto in F — not so long ago marginalized repertoire in limbo between classical and popular genres — are now, unapologetically, concert staples. George Gershwin is finally recognized as an early harbinger of musical synergies that we now take for granted. No longer viewed as an „inspired dilettante,” betwixt and between, the new Gershwin is a confident master, versatile and visionary.

In this album recorded live, pianist Kirill Gerstein explores the music of George Gershwin. Together with conductor David Robertson and the St. Louis Symphony he plays the Concerto in F as well as the original jazz band version of the Rhapsody in Blue. Program also includes a selection of Gershwin songs in solo piano arrangements by the American pianist Earl Wild. The album features Gerstein’s collaboration with two special guests: vocalist Storm Large sings Gershwin’s “Summertime”. Together with the legendary jazz vibraphonist, Gary Burton, Gerstein plays a jazz standard “Blame It on My Youth” written by Gershwin’s close friend, Oscar Levant.

Reviews

March 2018

What [Gerstein] serves up here is living, breathing Gershwin that doesn’t shy from improvisation and yet retains all the crystal clarity and architectural cohesion of his interpretations of Liszt and Brahms.The result is sizzlin’, sassy and smooth, and Robertson and his St Louis musicians are there every spontaneous step of the way...Gerstein’s music-making is direct from the heart, unsentimental but rich in sentiment.

May 2018

This is a remarkable album. Berlin-based Kirill Gerstein studied jazz piano at Berklee, and is clearly finely attuned to Gershwin’s idiom. Rhapsody in Blue is heard in Grofé’s lean arrangement and the performance accordingly tight. Gerstein includes an interpolated cadenza in the concerto’s slow movement. The first movement is vibrant and the finale buzzes. Thomas Drake’s trumpet solos are impeccably laid back. Superb booklet notes treat Gershwin knowledgeably and seriously. Stunning.

February 2018

Gerstein trained as a jazz pianist alongside his classical studies, and it shows: the Rhapsody (give here in its original jazz-band incarnation) comes up as fresh as paint in a performance that sounds as if it's being extemporised after-hours among friends, and the langorous but blissfully unsentimentalised Summertime (with Pink Martini vocalist Storm Large) is irresistible.

4th March 2018

The disc gives full rein to Gerstein’s jazz talents in all their liquid, apparently effortless variety. The Rhapsody is heard in a live performance – full of fat, moody brass – of the jazz-band arrangement

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The Gershwin Moment

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Interview, Kirill Gerstein on The Gershwin Moment