Mozart: Don Giovanni, K527
Leporello (Benno Kusche), Donna Anna (Margaret Harshaw), Don Giovanni (James Pease), The Commendatore (Hervey Alan), Don Ottavio (Léopold Simo neau), Donna Elvira (Sena Jurinac), Zerlina (Anny Schlemm), Masetto (Thomas Hemsley)
The Glyndebourne Festival Chorus, The Royal Philharmonic Orchestra,...
Mozart: Don Giovanni, K527
Leporello (Benno Kusche), Donna Anna (Margaret Harshaw), Don Giovanni (James Pease), The Commendatore (Hervey Alan), Don Ottavio (Léopold Simo neau), Donna Elvira (Sena Jurinac), Zerlina (Anny Schlemm), Masetto (Thomas Hemsley)
The Glyndebourne Festival Chorus, The Royal Philharmonic Orchestra,...
Purchase product
Often somewhat driven but always mercurial and dramatic, with a classic cast (women especially).
About
Solti conducted Don Giovanni in nine performances during the 1954 Glyndebourne season - on July 7, 9 , 11, 14, 17, 21, 23, 25, 27. These performances of Don Giovanni were Georg Solti’s only Glyndebourne appearances. This complete performance was broadcast live from the opera house on 17 July 1954. The source recording is part of the ‘Itter Broadcast Collection’ held by Lyrita Recorded Edition Trust.
Artists
Leporello (Benno Kusche), Donna Anna (Margaret Harshaw), Don Giovanni (James Pease), The Commendatore (Hervey Alan), Don Ottavio (Léopold Simo neau), Donna Elvira (Sena Jurinac), Zerlina (Anny Schlemm), Masetto (Thomas Hemsley)
The Glyndebourne Festival Chorus, The Royal Philharmonic Orchestra, Georg Solti
Contents and tracklist
- Benno Kusche, James Pease, Margaret Harshaw, Sena Jurinac, Hervey Alan, Leopold Simoneau, Anny Schlemm, Thomas Hemsley, Italo Tajo
- Royal Philharmonic Orchestra, Glyndebourne Festival Chorus, Orchestra Sinfonica di Torino della Radiotelevisione Italiana
- Sir Georg Solti, Mario Rossi
Awards and reviews
Christmas 2017
Often somewhat driven but always mercurial and dramatic, with a classic cast (women especially).
November 2017
There is, of course, plenty of zip from Solti in the pit…and he drives the score along well, with beefy playing from the RPO…Pease is a testy Don Giovanni…Simoneau is a good Ottavio, displaying honeyed head voice in ‘Dalla sua pace’…The sound is a bit rough and ready, as you’d expect from a live recording in the 1950s, with some dips in volume and occasional fuzz, but perfectly acceptable.
