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Verdi: Il Trovatore
Anna Pirozzi (Leonora), Enkelejda Shkosa (Azucena), Piero Pretti, Marco Caria (Il Conte di Luna), Alessandro Spina (Ferrando)
Fondazione Orchestra Regionale delle Marche, Coro Lirico Marchigiano Vincenzo Bellini, Daniel Oren (conductor) & Francisco Negrin (director)
Lievi’s production charts a sensible course between period costumes and minimalist sets…The cast is led by a bright, tireless Don Carlo from José Bros, though one wishes he would vary his volume...
Verdi: Il Trovatore
Anna Pirozzi (Leonora), Enkelejda Shkosa (Azucena), Piero Pretti, Marco Caria (Il Conte di Luna), Alessandro Spina (Ferrando)
Fondazione Orchestra Regionale delle Marche, Coro Lirico Marchigiano Vincenzo Bellini, Daniel Oren (conductor) & Francisco Negrin (director)
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Lievi’s production charts a sensible course between period costumes and minimalist sets…The cast is led by a bright, tireless Don Carlo from José Bros, though one wishes he would vary his volume...
About
Written for exceptional singers, Il Trovatore has remained popular ever since its first performance at the Teatro Apollo in Rome on 19 January 1853, when even the toughest critics were convinced of its place in the repertoire. People are attracted to Il Trovatore because of its rousing melodies, its brutal, powerful plot, and its simple structure: elements that make it one of the best examples of Verdi’s theatre pieces. Recorded live at the Sferisterio theatre of Macerata in the summer of 2016, under conductor Daniel Oren's vibrant and incisive direction, this production boasts a first-rate cast and elegant direction from Francisco Negrin. The sets and costumes by Louis Désiré and lighting by Bruno Poet were well received by the Sferisterio audience.
Contents and tracklist
- Anna Pirozzi (Leonora), Enkelejda Shkosa (Azucena), Piero Pretti, Marco Caria (Il Conte di Luna), Alessandro Spina (Ferrando)
- Fondazione Orchestra Regionale delle Marche, Coro Lirico Marchigiano Vincenzo Bellini
- Daniel Oren (conductor) & Francisco Negrin (director)
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Awards and reviews
October 2017
Lievi’s production charts a sensible course between period costumes and minimalist sets…The cast is led by a bright, tireless Don Carlo from José Bros, though one wishes he would vary his volume a little more often…Pertusi’s voice lies too high for Philip but he sings with authority, and Vladimior Stoyanov is a stylish Posa. Marianne Cornetti gives us an imposing, powerfully sung Eboli.