Brahms: Symphonies Nos. 1-4
Boston Symphony Orchestra, Andris Nelsons
Awards:
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Presto Recording of the Week, 26th May 2017
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Gramophone Magazine, September 2017, Editor's Choice
-
Presto Recordings of the Year, Winner 2017
His Brahms is as vital, impulsive and rhythmic as all his work strives to be – though not as sheerly dynamic as one might have imagined – but there is blend and bloom, too...he truly listens...
Brahms: Symphonies Nos. 1-4
Boston Symphony Orchestra, Andris Nelsons
Purchase product
Awards:
-
Presto Recording of the Week, 26th May 2017
-
Gramophone Magazine, September 2017, Editor's Choice
-
Presto Recordings of the Year, Winner 2017
His Brahms is as vital, impulsive and rhythmic as all his work strives to be – though not as sheerly dynamic as one might have imagined – but there is blend and bloom, too...he truly listens...
About
The Boston Symphony Orchestra and Andris Nelsons are pleased to announce the release of their latest recordings on BSO Classics-a three-disc set of the four Brahms symphonies, recorded live during concert performances at Symphony Hall this past November, engineered by the same in-house team that produced the BSO's recent Grammy-winning Shostakovich recordings under Maestro Nelsons on Deutsche Grammophon. This new Brahms symphony cycle follows two others recorded previously by the BSO, under Erich Leinsdorf in the mid-1960s and Bernard Haitink in the early 1990s. "It makes me so proud and happy," observes Andris Nelsons, "that the Boston Symphony Orchestra of today, filled with so many great musicians, will now have its own place in recorded history with this amazing music."
Contents and tracklist
Spotlight on this release
Awards and reviews
-
Presto Recording of the Week26th May 2017
-
Gramophone MagazineSeptember 2017Editor's Choice
-
Presto Recordings of the YearWinner 2017
September 2017
His Brahms is as vital, impulsive and rhythmic as all his work strives to be – though not as sheerly dynamic as one might have imagined – but there is blend and bloom, too...he truly listens to the music, feeling its pulse and allowing the phrasing to evolve with as little intervention or ‘shaping’ as possible. He is generous without indulgence, muscular without vulgarity.
26th May 2017
There’s not a single bar that feels heavy or stodgy, and yet amongst the lightness there is real weight when required...Aside from that, what impressed me most was the absolute clarity achieved, with every facet of Brahms’s orchestration there to be heard...This set is quite exceptional, and surely one of the finest to have come along in recent years.