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Decades: A Century of Song Vol. 2 1820 - 1830

John Mark Ainsley (tenor), Luis Gomes (tenor), Robin Tritschler (tenor), Anush Hovhanissyan (soprano), Sarah Connolly (mezzo), Christopher Maltman (baritone), Malcolm Martineau (piano)

Decades: A Century of Song Vol. 2 1820 - 1830
The singers have been well chosen. Portuguese tenor Luis Gomes is impassioned in Bellini’s small domestic substitutes or operatic arias, while Armenian soprano Anush Hovhannisyan brings vitality...

Decades: A Century of Song Vol. 2 1820 - 1830

John Mark Ainsley (tenor), Luis Gomes (tenor), Robin Tritschler (tenor), Anush Hovhanissyan (soprano), Sarah Connolly (mezzo), Christopher Maltman (baritone), Malcolm Martineau (piano)

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The singers have been well chosen. Portuguese tenor Luis Gomes is impassioned in Bellini’s small domestic substitutes or operatic arias, while Armenian soprano Anush Hovhannisyan brings vitality...

About

The second volume in this major recording series, across which a host of world-renowned singers draw listeners, decade by decade, through a century of song, from 1810 to 1910. Each volume features a carefully planned, varied programme performed by household names, whilst the series overall creates a comprehensive survey of song right through the nineteenth century – an invaluable teaching asset, as well as a joy for listeners.

Includes songs from Austria, France, Germany, Italy and Russia, by Vincenzo Bellini, Mikhail Glinka, Carl Loewe, Felix Mendelssohn, Louis Niedermeyer, Franz Schubert and Robert Schumann.

The three principal singers for this second volume are mezzo Sarah Connolly, tenor John Mark Ainsley and baritone Christopher Maltman, who are joined by tenors Robin Tritschler and Luis Gomes, and Armenian soprano Anush Hovhannisyan, accompanied by the series’ creator, pianist Malcolm Martineau

Of special note is Sarah Connolly’s performance of Schubert’s three ‘Ellen Songs’, including a glorious rendition of the classic ‘Ave Maria’, Christopher Maltman’s vivid portrayal of Goethe’s ‘Erlkönig’ in Loewe’s setting, and John Mark Ainsley’s beautifully crafted renditions of songs by Schubert, Schumann and Mendelssohn

Extensive presentation includes 64 page booklet with authoritative liner note in three languages by renowned song expert and series consultant Prof Susan Youens, with full texts and translations.

Contents and tracklist

No. 1, Sehnsucht
Track length2:22
No. 1, Minnelied im Mai, MWV K 30
Track length1:38
No. 2, Herr Oluf
Track length5:57
No. 1, Malinconia, ninfa gentile
Track length1:44
No. 6, Ma rendi pur contento
Track length2:36
No. 2, Vanne, o rosa fortunata
Track length2:39
No. 14, Die Taubenpost (D. 965a)
Track length3:54

Awards and reviews

July 2017

The singers have been well chosen. Portuguese tenor Luis Gomes is impassioned in Bellini’s small domestic substitutes or operatic arias, while Armenian soprano Anush Hovhannisyan brings vitality and personality to Glinka…Sarah Connolly is grand yet subtly inflected in Schubert, Irish tenor Robin Tritschler dramatic in Niedermeyer’s Le Lac…Malcom Martineau is superb, technically immaculate and consistently imaginative

June 2017

the range is wide and unpredictable, embracing seven composers and four languages … [Glinka songs] thrillingly caught by the flame-toned Armenian soprano Anush Hovhannisyan ... John Mark Ainsley brings thoughtful, shapely phrasing … Christopher Maltman, with his histrionic flair and colouristic range, is in his element … tenor Luis Gomes has the right vibrant, Latin timbre … Sarah Connolly’s deliriously impassioned singing … Malcolm Martineau, recorded with welcome prominence, is the most observant and imaginative of pianist partners

May 2017

The second instalment in a perceptively assembled and uncommonly interesting survey of art songs

15th May 2017

Maltman and Connolly’s Schubert performances are beguiling and deliciously nuanced; Hovhannisyan is gorgeously dusky in her Glinka songs; Tritschler is endearing in Louis Niedermeyer’s Le Lac; passion oozes from Gomes’ Bellini arias; Ainsley is light and delicate in Schumann’s rippling Sehnsucht. Martineau’s empathetic pianism is the steadying omnipresence.

Record Review 17th June 2017

It’s a very clever cross-section: it’s taking that decade and going across the continents … it gives you a real snapshot … collating them together, and not necessarily going for the obvious ones, that’s what I love about this collection.
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