Boccherini: Stabat Mater

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Dorothee Mields reveals herself here as an artist of the first order, broadening out from the Baroque repertory for which she is best known. Her instrument is gorgeous: lustrous, precise, and... — BBC Music Magazine, June 2017, 5 out of 5 stars More…

Release Date: 13th Apr 2017
Catalogue No: CAR83470
Label: Carus
Length: 71 minutes

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Boccherini: Stabat Mater para soprano y orquesta de cuerda, Op. 61, G 532

Work length40:14

$12.10

$16.50

Dorothee Mields (soprano), Miriam Shalinsky (double bass)
Salagon Quartett
Recorded: 2017-02-01

I. Stabat Mater. Grave assai

Track length5:01

$1.10

$1.50

II. Cujus Animam. Allegro

Track length2:13

$1.10

$1.50

III. Quae Moerebat. Allegro con motto

Track length3:07

$1.10

$1.50

IV. Quis Est Homo. Adagio assai

Track length1:15

$1.10

$1.50

V. Pro Peccatis. Alegretto

Track length4:12

$1.10

$1.50

VI. Eja Mater. Larghetto non tanto

Track length6:12

$1.10

$1.50

VII. Tui Nati Vulnerati. Allegro vivo

Track length4:00

$1.10

$1.50

VIII. Virgo Virginum. Andantino

Track length4:34

$1.10

$1.50

IX. Fac Ut Portem. Larghetto

Track length2:50

$1.10

$1.50

X. Fac Me Plagis. Allegro comodo

Track length2:18

$1.10

$1.50

XI. Quando Corpus Morietur. Andante lento

Track length4:32

$1.10

$1.50

Mozart: String Quartet No. 16 in E flat, K428

Work length25:28

$4.40

$6.00

Miriam Shalinsky (double bass)
Salagon Quartett
Recorded: 2017-02-01

I. Allegro ma non troppo

Track length7:01

$1.10

$1.50

II. Andante con moto

Track length7:38

$1.10

$1.50

III. Menuetto. Allegro

Track length5:17

$1.10

$1.50

IV. Allegro vivace

Track length5:32

$1.10

$1.50

Mendelssohn: Salve Regina

Work length6:01

$1.10

$1.50

Dorothee Mields (soprano), Miriam Shalinsky (double bass)
Salagon Quartett
Recorded: 2017-02-01

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Although vocal music accounts for only a small part of Luigi Boccherini’s works, his Stabat Mater in F minor, G532, is one of the most exquisite settings of this sequence from the 13th century. The first version is recorded here; it is scored for soprano and string quintet and dates from 1781. It captivates the listener by the intimacy of Boccherini’s musical language which is particularly suited to the contemplative poetry depicting Mary’s anguish during her Son’s crucifixion. One could wish for no better performer of this subtle sacred music than the incomparable Dorothee Mields; she is accompanied by the Salagon Quartet augmented by double bass. The recording is complemented by Mozart’s String Quartet in E flat major, K428, and the Salve Regina by Felix Mendelssohn: composed in 1824, it is frequently considered one of the youthful composer’s best works.

Reviews

June 2017

Dorothee Mields reveals herself here as an artist of the first order, broadening out from the Baroque repertory for which she is best known. Her instrument is gorgeous: lustrous, precise, and feather-light. Her musicianship is fierce as she digs into the expression of each word, brings ceaseless variety to soft dynamics and gives every phrase grace…the Salagon Quartet, joined by Miriam Shalinsky on double bass, brings a deeply interiorised reading that complements Mields’s execution

Boccherini: Stabat Mater

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