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Bach Trios
Yo-Yo Ma (cello), Chris Thile (mandolin), Edgar Meyer (double bass)
Awards:
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BBC Music Magazine, July 2017, Chamber Choice
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Opus Klassik Awards, 2018, Winner - Chamber Music Recording (Music up to and including 17th/18th Century)
A winning combination in the hands of virtuosos Yo-Yo Ma, Edgar Meyer and Chris Thile. Despite musical backgrounds that are poles apart, their previous collaborations [testify] to an exhilarating...
Bach Trios
Yo-Yo Ma (cello), Chris Thile (mandolin), Edgar Meyer (double bass)
Purchase product
Awards:
-
BBC Music Magazine, July 2017, Chamber Choice
-
Opus Klassik Awards, 2018, Winner - Chamber Music Recording (Music up to and including 17th/18th Century)
A winning combination in the hands of virtuosos Yo-Yo Ma, Edgar Meyer and Chris Thile. Despite musical backgrounds that are poles apart, their previous collaborations [testify] to an exhilarating...
About
Nonesuch Records releases an album of Bach works recorded by cellist Yo-Yo Ma, mandolinist Chris Thile, and bassist Edgar Meyer, Bach Trios. The album comprises works by J.S. Bach written for keyboard instruments, plus one sonata for viola da gamba.
Yo-Yo Ma and Edgar Meyer’s first recording together was the 1996 album Appalachia Waltz, which also featured fiddler Mark O’Connor; that album was followed by Appalachian Journey, also with O’Connor, in 2000. Meyer and Thile also began playing together nearly two decades ago, and first performed live as a duo in 2003. They have made two duo albums, 2008’s Edgar Meyer & Chris Thile and the Grammy–winning 2014 record Bass & Mandolin.
Thile then joined Meyer on Ma’s 2008 holiday album, Songs of Joy and Peace, before the trio reunited, along with Stuart Duncan, for The Goat Rodeo Sessions, an album of original tunes drawing from the musicians’ backgrounds in bluegrass, classical, and American roots music.
As Ma told Billboard at that time: “How often do you work with people who are master virtuosos and also master improvisers and composers, who know at least two musical traditions unbelievably well?” He continued, “It’s just extraordinary when you have people who can actually show on their instruments what they’re thinking at any moment, without a delay. As soon as you think it, it gets transferred in your neuromusculature immediately into sound.”
The New York Times said of Yo-Yo Ma, who is considered one of today’s foremost interpreters of Bach, ‘Other cellists hear Bach’s suites the same as Mr. Ma, but few if any have the technical means to transfer their imaginings so precisely into sound.’ Ma maintains a balance between his engagements as soloist with orchestras worldwide and his recital and chamber music activities. His discography includes more than one hundred albums, eighteen of which have won Grammy Awards. Ma also serves as the Artistic Director of Silkroad, an organization he founded to promote cross-cultural performance and collaborations. More than eighty works have been commissioned specifically for the Silk Road Ensemble, which tours annually. Ma also serves as the Judson and Joyce Green Creative Consultant to the Chicago Symphony Orchestra’s Negaunee Music Institute and in 2016 was appointed Artistic Advisor to the Kennedy Center for the Performing Arts.
Contents and tracklist
Awards and reviews
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BBC Music MagazineJuly 2017Chamber Choice
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Opus Klassik Awards2018Winner - Chamber Music Recording (Music up to and including 17th/18th Century)
July 2017
A winning combination in the hands of virtuosos Yo-Yo Ma, Edgar Meyer and Chris Thile. Despite musical backgrounds that are poles apart, their previous collaborations [testify] to an exhilarating meeting of minds…Thile and Meyer, with their backgrounds in bluegrass and American roots music, bring an appealing swing and spontaneity to the Bach…Ma draws a glorious palette of sounds from his cello, which sings and weeps and whispers
16th April 2017
It took a few tracks to get used to the clipped, precise sound of the mandolin, at times evoking lute or harpsichord, but by the time these three fine musicians tackled the Fugue No 20 in A minor from The Well-Tempered Clavier Book 2, I was convinced.
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