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Alma Oppressa: Vivaldi & Handel Arias

Julie Boulianne (mezzo-soprano)

Clavecin en Concert, Luc Beauséjour

Alma Oppressa: Vivaldi & Handel Arias

Awards:

Boulianne navigates the stormy seas with terrific bravura and agility. Her androgynous voice - voluptuous in its upper reaches, reedy as a countertenor in its lower register - is perfect for...

Alma Oppressa: Vivaldi & Handel Arias

Julie Boulianne (mezzo-soprano)

Clavecin en Concert, Luc Beauséjour

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Awards:

Boulianne navigates the stormy seas with terrific bravura and agility. Her androgynous voice - voluptuous in its upper reaches, reedy as a countertenor in its lower register - is perfect for...

About

The characters brought to life in the Baroque-era operas of great composers such as Handel and Vivaldi – protagonists whose passions, loves, misfortunes, hopes, and longings unfold before us on stage – are, in reality, musical depictions of the myriad journeys experienced by the human soul.

The magnificent mezzo-soprano Julie Boulianne gives to the chosen arias all their grandeur, their grace and their beauty and the quality of the ensemble Clavecin en concert’s playing is once again irreproachable. Gorgeous!

Contents and tracklist

Alma oppressa
Track length5:28
Sovvente il sole
Track length8:15
I. Allegro
Track length1:48
II. Andante
Track length2:08
III. Allegro
Track length0:46
Con l’ali di costanza
Track length6:55
Lascia ch’io pianga
Track length4:28
Se potessero i sospir’ miei
Track length6:08
I. Allegro
Track length2:28
II. Andante
Track length1:46
III. Presto
Track length1:06
Dite oimè! Ditelo, al fine
Track length2:45
Qui d’amor nel suo linguaggio
Track length2:22
Cara speme questo core tu cominci a lusingar
Track length4:37
Overture (excerpt): Gavotta (a tempo ordinario)
Track length2:08
Salda quercia in erta balza
Track length5:37

Awards and reviews

  • BBC Music Magazine
    August 2017
    Opera Choice

August 2017

Boulianne navigates the stormy seas with terrific bravura and agility. Her androgynous voice - voluptuous in its upper reaches, reedy as a countertenor in its lower register - is perfect for a breeches role like Sesto in Giulio Cesare and, of course, for the various arias here written for castratos...Ensemble playing is slick, and the recording...is luscious and detailed.
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