The Routes of Slavery 1444-1888
Africa, Portugal, Spain & Latin America
Kassé Mady Diabaté & Violet Diallo (Mali) & Jordi Savall (viola da gamba and Artistic director)
Hespèrion XXI - La Capella Reial de Catalunya & Tembembe Ensamble Continuo
Awards:
-
Grammy Awards, 60th Awards (2017), Nominee - Classical Compendium
Savall’s brew is so rich that singling out individual performances is almost invidious, but tracks I love include songs from Brazil and Mexico sung by Maria Juliana Linhares and Ada Coronel,...
The Routes of Slavery 1444-1888
Africa, Portugal, Spain & Latin America
Kassé Mady Diabaté & Violet Diallo (Mali) & Jordi Savall (viola da gamba and Artistic director)
Hespèrion XXI - La Capella Reial de Catalunya & Tembembe Ensamble Continuo
Purchase product
Awards:
-
Grammy Awards, 60th Awards (2017), Nominee - Classical Compendium
Savall’s brew is so rich that singling out individual performances is almost invidious, but tracks I love include songs from Brazil and Mexico sung by Maria Juliana Linhares and Ada Coronel,...
About
A homage to the memory of victims of the slave trade.
This new multicultural project from Jordi Savall and his musicians on The Routes of Slavery (1444-1888) marks a world first in the history of music and of the three continents involved in the trade in African slaves and their exploitation in the New World, which are brought together through the early music of the colonial period, the musical traditions of Mali and the oral traditions of the descendants of slaves in Madagascar, Brazil, Colombia and Mexico. This 'Musical Memoir' is accompanied with historical texts on slavery, beginning with the early chronicles of 1444 and concluding with texts written by the Nobel Peace Prize-winner Martin Luther King shortly before his assassination in 1968.
Sponsored by UNESCO, this musical reconciliation is founded on equality, harmony and reciprocal inspiration, constituting the commemoration of a tragic and shameful chapter in the history of mankind. A vast historical and musical fresco, which throws light on the West’s attitude towards Africans in Latin America, the United States and Europe, as well as its indifference towards that 'forgotten' continent of Africa. But it is also a joyful celebration of hearts and spirits united through music and dance, offering us all a vital source of survival, a refuge of peace, consolation and hope.
2 hybrid SACD + 1 DVD filmed live at the Fontfroide Abbey (France) PAL zone 0
Booklet : English, French, German, Italian, Castillian, Catalan
Contents and tracklist
- Jordi Savall, Bakary Sangaré, Pedro Estevan, Zé Luis Nascimento
- Jordi Savall, Ballaké Sissoko, Rajery
- Jordi Savall, Kassé Mady Diabaté
- Jordi Savall
- La Capella Reial de Catalunya, Hesperion XXI, Tembembe Ensamble Continuo
- Jordi Savall, Maria Juliana Linhares, Zé Luis Nascimento
- Jordi Savall, Bakary Sangaré, Xavier Díaz-Latorre
- Jordi Savall
- Tembembe Ensamble Continuo, La Capella Reial de Catalunya, Hesperion XXI
- Jordi Savall, Ada Coronel
- Hesperion XXI, Tembembe Ensamble Continuo
- Jordi Savall, Kassé Mady Diabaté, Mamani Keita, Nana Kouyaté, Tanti Kouyaté, Driss El Maloumi, Ballaké Sissoko, Rajery
- La Capella Reial de Catalunya
- Jordi Savall, Bakary Sangaré
- Jordi Savall, Maria Juliana Linhares, Xavier Díaz- Latorre, Andrew Lawrence-King
- Jordi Savall, Driss El Maloumi, Ballaké Sissoko, Rajery
- Jordi Savall, Bakary Sangaré, Pedro Estevan, Zé Luis Nascimento
- Jordi Savall, Ada Coronel
- Hesperion XXI, Tembembe Ensamble Continuo
- Jordi Savall, David Sagastume
- La Capella Reial de Catalunya, Hesperion XXI
Awards and reviews
December 2017
Savall’s brew is so rich that singling out individual performances is almost invidious, but tracks I love include songs from Brazil and Mexico sung by Maria Juliana Linhares and Ada Coronel, choral numbers by singers from the Capella Reial, and instrumental improvisations from Mali; everything performed by the Tembembe Ensamble Continuo has a genuineness which goes straight to the heart.
26th February 2017
It’s both a timely reminder of our ignoble instinct to subjugate and a moving gesture of reconciliation.
Record Review February 2017
[Savall’s] latest project explor[es] the musical trail left by the slave trade, and instead of trying to describe it, the narrations of contemporary descriptions of slavery, the music from percussion and simple improvisation to more formal choral works and pieces from Africa and Madagascar, to Spain, Mexico, Latin America …None does this kind of thing quite like Savall and his label Alia Vox.