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Special offer. Handel: Messiah

Erin Wall (soprano), Elizabeth DeShong (mezzo-soprano), Andrew Staples (tenor), John Relyea (bass-baritone)

Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Sir Andrew Davis

Handel: Messiah

Awards:

Astonishingly well controlled…the solo voices are rich and weighty…[the] flute provides a charming obbligato to ‘How beautiful are the feet’, while the tenor’s ‘Thy rebuke…’ is intensely moving…a...

Special offer. Handel: Messiah

Erin Wall (soprano), Elizabeth DeShong (mezzo-soprano), Andrew Staples (tenor), John Relyea (bass-baritone)

Toronto Mendelssohn Choir, Toronto Symphony Orchestra, Sir Andrew Davis

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2 SACDs

Hybrid Multi-channel

$41.00

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192 kHz, 24 bit, FLAC/ALAC/WAV

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This release includes a digital booklet

Stream now Hi-RES 192 kHz, 24 bit

Awards:

Astonishingly well controlled…the solo voices are rich and weighty…[the] flute provides a charming obbligato to ‘How beautiful are the feet’, while the tenor’s ‘Thy rebuke…’ is intensely moving…a...

About

Experience the transcendent glory of Messiah in Sir Andrew Davis’s new, majestic, must-hear edition of Handel’s beloved classic.

Recorded live for SACD release in surround sound, this unique version makes use of all the colours available from the modern symphony orchestra to underline the mood and meaning of the individual movements. Without detracting from the innate power of the original, the conductor’s score calls for moments of drama, pathos, and even, sometimes, whimsicality. It is supported by substantial brass and woodwind forces, and several percussion instruments (including marimba!). As he explains in a very personal booklet note, this leading British conductor brings immense dedication to what is probably the most famous piece of British sacred music ever composed, this version being one which he has conducted live only a few times, including on this recording. He confesses: ‘Everything I have done instrumentally stems from the enormous respect, even awe, which I feel towards this supreme masterpiece’.

Contents and tracklist

Part I: Sinfonia: Grave - Allegro moderato
Track length3:28
Part I: Accompanied Recitative: Comfort Ye, Comfort Ye my People (Tenor)
Track length2:33
Part I: Aria: Ev'ry valley shall be exalted (Tenor)
Track length3:21
Part I: And the glory of the Lord shall be revealed (Chorus)
Track length2:35
Part I: Accompanied Recitative: Thus saith the Lord (Bass)
Track length1:31
Part I: Aria: But who may abide the day of His coming (Mezzo-soprano)
Track length4:01
Part I: And He shall purify the sons of Levi (Chorus)
Track length2:31
Part I: Recitative: Behold, a Virgin Shall Conceive (Mezzo-soprano)
Track length0:29
Part I: Air: O Thou that Tellest Good Tidings to Zion (Mezzo-soprano, Chorus)
Track length5:07
Part I: Accompanied Recitative: For behold, darkness shall cover the earth (Bass)
Track length2:20
Part I: Aria: The people that walked in darkness have seen a great light (Bass)
Track length3:09
Part I: For unto us a child is born (Chorus)
Track length4:04
Part I: Pastoral Symphony
Track length0:53
Part I: Accompanied Recitative: There were Shepherds Abiding in the Field (Soprano)
Track length0:14
Part I: Accompanied: And lo, the angel of the Lord (Soprano)
Track length0:21
Part I: Recitative: And the Angel said unto them (Soprano)
Track length0:38
Part I: Recitative: And suddenly there was the angel (Soprano)
Track length0:18
Part I: Glory to God in the highest (Chorus)
Track length2:04
Part I: Aria: Rejoice greatly, O daughter of Zion (Soprano)
Track length4:45
Part I: Recitative: Then shall the eyes of the blind be open'd (Mezzo-soprano)
Track length0:28
Part I: Duet: He shall feed His flock (Mezzo-soprano, Soprano)
Track length5:21
Part I: His yoke is easy. Not too fast and with lots of bounce! (Chorus)
Track length2:26
Part II: Behold the Lamb of God (Chorus)
Track length2:57
Part II: Aria: He was despised and rejected of men (Mezzo-soprano)
Track length5:11
Part II: Surely, He hath borne our griefs and carried our sorrows (Chorus)
Track length1:54
Part II: And with His stripes we are healed (Chorus)
Track length1:49
Part II: All we like sheep have gone astray (Chorus)
Track length3:56
Part II: Accompanied Recitative: All they that see Him laugh (Tenor)
Track length0:43
Part II: He trusted in God that He would deliver Him (Chorus)
Track length2:20
Part II: Accompanied Recitative: Thy rebuke hath broken His heart (Tenor)
Track length1:42
Part II: Arioso: Behold, and see if there be any sorrow (Tenor)
Track length1:16
Part II: Accompanied Recitative: He was cut off out of the land (Tenor)
Track length0:16
Part II: Air: But Thou Didst not Leave his Soul in Hell (Tenor)
Track length2:07
Part II: Lift up your heads (Chorus)
Track length3:13
Part II: The Lord gave the word (Chorus)
Track length1:00
Part II: Duet: How beautiful are the feet of Him that bringeth glad tidings of salvation (Soprano)
Track length2:07
Part II: Aria: Why do the nations (Bass)
Track length2:52
Part II: Let us break their bonds (Chorus)
Track length1:48
Part II: Recitative: He that dwelleth in heaven shall laugh them to scorn (Tenor)
Track length0:15
Part II: Aria: Thou shalt break them with a rod of iron (Tenor)
Track length1:55
Part II: Hallelujah! (Chorus)
Track length3:58
Part III: Aria: I know that my Redeemer liveth (Soprano)
Track length6:16
Part III: Since by man came death (Chorus)
Track length2:07
Part III: Recitative: Behold, I tell you a mystery (Bass)
Track length0:35
Part III: Aria: The trumpet shall sound (Bass)
Track length4:10
Part III: Worthy is the Lamb that was slain (Chorus)
Track length7:00

Spotlight on this release

Awards and reviews

January 2017

Astonishingly well controlled…the solo voices are rich and weighty…[the] flute provides a charming obbligato to ‘How beautiful are the feet’, while the tenor’s ‘Thy rebuke…’ is intensely moving…a remarkable choral achievement

January 2017

This is obviously not a basic ‘Library ‘ Messiah but can be cautiously recommended as a curiosity for those enjoy arrangements and transcriptions.

13th December 2016

A performance I will return to often and with great pleasure.

2nd December 2016

Davis’s new orchestration of Messiah is either, depending on your point of view, an act of unpardonable musical blasphemy or a gloriously tongue-in-cheek tribute to a well-loved masterpiece...the overall effect is just of a lush, Romantic orchestration rather than of forced aural gimmickry.

2nd December 2016

Davis has thrown every resource of the modern symphony orchestra at the task. The result is rather as if the Disney Corporation had bought the rights to the show...The Toronto Symphony Orchestra plays with terrific spirit, especially the brass, and there are four excellent soloists.
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