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Offer,Mozart: La clemenza di Tito, K621

Kate Aldrich (mezzo-soprano), Nina Bernsteiner (soprano), Ann-Beth Solvang (mezzo-soprano), Marcell Bakonyi (baritone), Carlo Allemano (tenor), Dana Marbach (soprano)

Academia Montis Regalis Orchestra, Academia Montis Regalis Choir, Alessandro De Marchi

[The performance] is excellent…the orchestra is crisp – I love the blare of the interjected chords near the beginning of the Act 1 finale…Allemano sings with nobility and tenderness…Aldrich is... — Gramophone Magazine, December 2016 More…

Release Date: 30th Sep 2016
Catalogue No: 777870-2
Label: CPO
Length: 2 hours 22 minutes

This release includes a digital booklet

CPO - up to 35% off

Special offer ends: 24/04/2024

Mozart: La clemenza di Tito, K621

Work length2:22:25

$55.00

$71.50

Marcell Bakonyi, Kate Aldrich, Ann-Beth Solvang, Nina Bernsteiner, Dana Marbach, Carlo Allemano
Academia Montis Regalis Choir, Academia Montis Regalis Orchestra
Alessandro De Marchi
Recorded: 5, 7, 9 and 11 August 2014
Recording Venue: Live Recording, Tiroler Landestheater Innsbruck, Innsbruck, Austria

Overture

Track length4:03

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$1.30

Act I Scene 1: Duet: Sesto Come ti piace imponi (Sesto, Virellia)

Track length2:50

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Act I Scene 1: Recitative: Oh Dio! (Sesto, Vitellia)

Track length1:26

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$1.30

Act I Scene 2: Recitative: Amico, il passo affretta (Annio, Vitellia, Sesto)

Track length1:29

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$1.30

Act I Scene 2: Aria: Eppur forse con me (Vitellia, Sesto)

Track length5:31

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Act I Scene 3: Recitative: Amico, ecco il momento (Annio, Sesto)

Track length0:35

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Act I Scene 3: Duet: Deh, prendi un dolce amplesso (Sesto, Annio)

Track length0:58

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Act I Scene 4: Marcia: Serbate, oh Dei custodi (Chorus)

Track length3:54

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Act I Scene 4: Recitative: Te della patria il Padre (Publio, Annio, Tito)

Track length1:33

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Act I Scene 4: Accompanied Recitative: Basta, basta, oh Quiriti (Tito)

Track length0:19

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Act I Scene 4: Aria: Splende di Roma il fato (Tito, Chorus)

Track length4:58

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Act I Scene 4: March (reprise)

Track length0:51

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Act I Scene 4 (segue) - Recitative: Adesso, Sesto, parla per me (Annio, Sesto, Tito)

Track length2:22

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Act I Scene 4: Duet: Incolpar tu non dovrai (Sesto, Tito)

Track length4:54

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Act I Scene 5: Recitative: Eccola, oh Dei! (Annio, Servilia)

Track length1:38

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Act I Scene 5: Duet: Ah, perdona al primo affetto (Servilia, Annio)

Track length3:13

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Act I Scene 6: Recitative: Che mi rechi in quel foglio? (Tito, Publio)

Track length0:46

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Act I Scene 7: Recitative: Di Tito al piè (Servilia, Tito)

Track length1:45

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Act I Scene 7: Aria: Ah, se fosse intorno al trono (Tito)

Track length1:41

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Act I Scene 7: Al rimirar l'oppressa (Tito)

Track length3:10

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Act I Scene 8: Recitative: Felice me (Servilia, Vitellia)

Track length3:54

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Act I Scene 8: Aria: Parto, ma tu ben mio (Sesto)

Track length7:25

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Act I Scene 10: Recitative: Vedrai, Tito, vedrai (Vitellia, Publio, Annio)

Track length0:50

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Act I Scene 10: Trio: Vengo, aspettate... (Vitellia, Annio, Publio)

Track length2:13

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Act I Scene 10: Accompanied Recitative: O Dei, che smania e questa! (Sesto)

Track length3:33

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Act I Scene 10: Quintet: Deh, conservate o Dei (Sesto, Annio, Servilia, Publio, Vitellia, Chorus)

Track length5:54

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Act II Scene 1: Recitative: Sesto, come tu credi (Annio, Sesto)

Track length2:28

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Act II Scene 1: Aria: Torna di Tito a lato (Annio)

Track length2:05

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Act II Scene 2: Recitative: Partir deggio, o restar (Sesto, Vitellia)

Track length0:50

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Act II Scene 3: Recitative: Sesto! (Publio, Sesto, Vitellia)

Track length0:57

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Act II Scene 4: Trio: Se al volo mai ti senti (Sesto, Vitellia, Publio)

Track length4:40

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Act II Scene 5: Ah, grazie si rendano (Chorus, Tito)

Track length3:51

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Act II Scene 5: Recitative: Già de publici giuochi (Publio, Tito)

Track length1:34

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Act II Scene 5: Aria: Tardi s'avvede d'un tradimento (Publio)

Track length1:43

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Act II Scene 6: Recitative: No, così scellerato (Tito, Annio)

Track length1:24

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Act II Scene 8: Accompanied Recitative: Che orror, che tradimento (Tito)

Track length2:21

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Act II Scene 8: Aria: Non tradirmi in quest' istante (Tito, Chorus)

Track length6:14

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Act II Scene 9: Recitative: Ma, Publio, ancora Sesto non viene (Tito, Publio)

Track length1:01

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Act II Scene 10: Trio: Quello di Tito è il volto (Sesto, Tito, Publio)

Track length3:19

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Act II Scene 10: Recitative: E pur mi fa pietà (Tito, Sesto)

Track length5:30

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Act II Scene 10: Rondo: Deh, per questo istante solo (Sesto)

Track length7:25

$2.00

$2.60

Act II Scene 11: Recitative: Ove s'intese mai piu contumace (Tito)

Track length0:52

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Act II Scene 12: Recitative: Publio! (Tito, Publio)

Track length0:21

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Act II Scene 13: Recitative: Publio, ascolta (Vitellia, Publio)

Track length1:18

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Act II Scene 14: Recitative: Non giova lusingarsi (Vitellia, Servilia, Annio)

Track length1:56

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Act II Scene 14: Aria: S'altro che lacrime (Servilia)

Track length1:21

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Act II Scene 15: Accompanied Recitative: Ecco il punto (Vitellia)

Track length2:44

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Act II Scene 15: Rondo: Non più di fiori (Vitellia)

Track length6:43

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Act II Scene 16: Che del ciel (Chorus)

Track length1:52

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Act II Scene 16: Recitative: Pria che principio a' lieti (Tito, Annio, Servilia)

Track length0:41

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Act II Scene 17: Recitative: Sesto, de tuoi delitti (Tutti)

Track length1:46

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Act II Scene 17: Accompanied Recitative: Ma chè giorno è mai questo (Tito)

Track length1:38

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Act II Scene 17: Sextet: Tu, è ver (All)

Track length4:06

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During the early nineteenth century the new 1804 Viennese version of La Clemenza di Tito, was Mozart’s most popular opera in Europe. However, in keeping with the practice during that period, it was performed in versions adapted to the times and the taste of the opera public – and this is precisely the starting point for our recording’s conductor – Alessandro De Marchi. He would like to present Tito in the form in which it was staged and acclaimed in great houses from the Vienna Court Opera to the Milan Scala and from Dresden and Hamburg to Paris during the early years of the nineteenth century. Our recording is based on the acclaimed production at the Innsbruck Festival Weeks 2013 with the Academia Montis Regalis performing on historical instruments.

Reviews

December 2016

[The performance] is excellent…the orchestra is crisp – I love the blare of the interjected chords near the beginning of the Act 1 finale…Allemano sings with nobility and tenderness…Aldrich is fluent in the roulades of ‘Parto’…as Vitellia, the cause of all the trouble, Nina Bernsteiner does jealousy and fury very well, and even convinces you of her remorse…well worth investigating

22nd March 2017

This recording is so special that it can’t be quite comparable to the numerous excellent recordings already on the market…for those who are well-stocked with Tito recordings and/or a bit adventurous and want to experience what it must have sounded like at the Wiener Hoftheater back in 1804, this is a very interesting proposition.

Offer,Mozart: La clemenza di Tito, K621

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