Tchaikovsky & Grieg: Piano Concertos

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Out of repertory that has been celebrated, picked over and just about played to death over the course of almost a century and a half, they create magic…of course, this could only be achieved... — Gramophone Magazine, May 2016 More…

Release Date: 22nd Apr 2016
Catalogue No: PTC5186566
Label: Pentatone
Length: 64 minutes

Gramophone Magazine

May 2016

Editor's Choice

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Tchaikovsky: Piano Concerto No. 1 in B flat minor, Op. 23

Work length35:21

Album only

Denis Kozhukhin
Berlin Radio Symphony Orchestra
Vassily Sinaisky

I. Allegro non troppo e molto maestoso - Allegro con spirito

Track length20:53

Album only

II. Andantino semplice - Prestissimo - Tempo I

Track length7:04

$2.00

$2.60

$3.50

III. Allegro con fuoco

Track length7:24

$2.00

$2.60

$3.50

Grieg: Piano Concerto in A minor, Op. 16

Work length29:12

$7.00

$9.00

$12.25

Denis Kozhukhin
Berlin Radio Symphony Orchestra
Vassily Sinaisky

I. Allegro molto moderato

Track length12:46

$3.00

$3.85

$5.25

II. Adagio

Track length6:14

$1.00

$1.30

$1.75

III. Allegro moderato molto e marcato

Track length10:12

$3.00

$3.85

$5.25

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This new PENTATONE release of Edvard Grieg’s Piano Concerto in A minor, Op. 16 and Peter Ilyich Tchaikovsky’s Piano Concerto No. 1 in B-flat minor, Op. 23 marks the start of the musical collaboration between the label and the young Russian pianist Denis Kozhukhin. Kozhukhin established himself on the international concert scene after winning prizes at the 2006 Leeds International Piano Competition, as well as the 2010 Queen Elisabeth Competition.

‘I am thrilled to have the opportunity to record repertoire that has played a significant part in my musical life’ says Kozhukhin about this recording, made with the Rundfunk-Sinfonieorchester Berlin, conducted by Vassily Sinaisky. Kozhukhin chose two concertos that against all odds, both turned out to become “virtuoso warhorses”. Grieg is known as a composer with a focus on the more intimate musical genres. His first attempt to compose in a more extensive musical genre, resulted in a symphony of which Grieg himself said it “should never be performed...”. His other attempt however, the Piano Concerto in A minor, brought him world-wide success. Until Tchaikovsky started writing his first piano concerto, piano music had only been of secondary interest to him. As he himself put it: “Basically, I am inflicting violence upon myself by forcing my brain to come up with piano passages”. After seeking professional advice on the composition with his friend and excellent pianist Nikolaj Rubinstein, the latter basically massacred the piece and refused to première it. Fortunately Tchaikovsky then decided to dedicate it to German pianist Hans von Bülow, who later on gave it its triumphant première. Nowadays these two concertos rank among the most magical in the piano repertoire.

Reviews

May 2016

Out of repertory that has been celebrated, picked over and just about played to death over the course of almost a century and a half, they create magic…of course, this could only be achieved by deeply cultivated musical instincts and a technique as developed and varied as it is unobtrusive. His inerrant rhythmic sense is pliant yet taut; his sound unalloyed silver. Listening to Kozhukhin, you’re left with one thing: the music – incontestable, complete

Tchaikovsky & Grieg: Piano Concertos

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