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Handel: My favourite instrument

Concertos, Sonatas & Arias with Oboe

Xenia Löffler (oboe) & Marie Friederike Schöder (soprano)

Batzdorfer Hofkapelle

Handel: My favourite instrument
What [Löffler] and soprano Marie Friederike Schöder have chosen...fully illustrates Handel's intuitive understanding of the oboe's expressive range...Löffler is fluent and expressive both in...

Handel: My favourite instrument

Concertos, Sonatas & Arias with Oboe

Xenia Löffler (oboe) & Marie Friederike Schöder (soprano)

Batzdorfer Hofkapelle

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What [Löffler] and soprano Marie Friederike Schöder have chosen...fully illustrates Handel's intuitive understanding of the oboe's expressive range...Löffler is fluent and expressive both in...

About

"I wrote like the devil in those days, especially for the hautbois, which was my favourite instrument", Georg Friedrich Handel reminisced on his youthful years. Throughout his life, the oboe was to play an outstanding role for him; for no other instrument did he compose such passionate, dramatic and virtuosic soli. The Batzdorfer Hofkapelle presents here a selection of the most beautiful works of Handel with the oboe – beginning with the early Hamburg period and his sojourn in Rome and concluding with his London period. The recording includes excerpts from the operas 'Almira' HWV1 and 'Teseo' HWV9, from the latter the vengeance aria 'Morirò, ma vendicata' with its maniacal coloratura in both the singing voice and the oboe. In the instrumental works recorded here, the spectrum extends from oboe sonatas and trio sonatas to concertos.

The oboist Xenia Löffler, member of the Akadenie für Alte Musik, Berlin, is an internationally sought-after soloist. She proves herself on this recording to be a top-notch Handel specialist who knows how to perform both the lyrical and the dramatic moments of this music with elegance and verve. The vocal parts in the arias with oboe are sung by the young coloratura soprano Marie Friederike Schöder, a shooting star in the baroque scene, whose voice convinces listeners with its extraordinary fluency and lightness in the stratosphere.

Contents and tracklist

I. Grave
Track length2:59
II. Allegro
Track length1:39
III. Sarabande: Largo
Track length2:27
IV. Allegro
Track length1:56
Act I Scene 6: Aria: Geloso tormento
Track length6:41
VIII. Rondeau
Track length1:21
V. Bouree
Track length0:41
IV. Sarabande
Track length2:18
VII. Rigaudon
Track length0:53
II. Chaconne
Track length1:35
Act III Scene 8: Aria: Vedrai, s'a tuo dispetto cangiar ben tosto affetto
Track length4:50
I. Largo
Track length2:07
II. Allegro
Track length1:39
III. Adagio
Track length1:44
IV. Bourree angloise: Allegro
Track length0:58
Aci, Galatea e Polifemo, HWV 72: Aria: Qui l'augel
Track length7:01
I. Adagio
Track length1:38
II. Allegro
Track length3:59
III. Affettuoso
Track length2:08
IV. Tempo di Menuet
Track length4:01
I. Andante
Track length2:11
II. Allegro
Track length2:21
III. Larghetto
Track length3:01
IV. Allegro
Track length3:05
Teseo, HWV 9: Overture
Track length6:49
Teseo, HWV 9, Act V Scene 1: Air: Moriro, ma vendicata
Track length5:09

Awards and reviews

Awards Issue 2015

What [Löffler] and soprano Marie Friederike Schöder have chosen...fully illustrates Handel's intuitive understanding of the oboe's expressive range...Löffler is fluent and expressive both in her capacity as soloist and in her sympathetic partnership with Schoder...Stylish support from the Batzdorfer Hofkapelle sets the seal on a rewarding issue.

Early Music Review February 2015

Marie Friederike Schöder negotiates her vocal tightrope with enviable aplomb … she is ably partnered by the faultlessly breath-controlled oboe of Xenia Löffler …. Batzdorfer Hofkapelle are to be very warmly commended for this fine picture of the young Handel!
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