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Marcelo Alvarez: 20 Years on the Opera Stage

Marcelo Alvarez (tenor)

St. Petersburg State Symphony Orchestra, Constantine Orbelian

His voice has matured well, with no loss of quality in the tone itself, and it is certainly a larger and more powerful instrument than it was; there remains plenty of juice still in the sonic...

Marcelo Alvarez: 20 Years on the Opera Stage

Marcelo Alvarez (tenor)

St. Petersburg State Symphony Orchestra, Constantine Orbelian

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His voice has matured well, with no loss of quality in the tone itself, and it is certainly a larger and more powerful instrument than it was; there remains plenty of juice still in the sonic...

About

“Marcelo Alvarez gave his usual passionate and thrilling performance … taking advantage of his beautiful voice by phrasing the musical lines with elegance.” Ingrid Haas

This review excerpt, covering a recent Metropolitan Opera performance, is entirely typical of the acclaim that Alvarez – one of the supreme tenors of our time – consistently inspires in his many appearances worldwide. We at Delos offer this album as a richly deserved tribute to a legendary artist, now celebrating his twentieth year of distinguished operatic achievement.

In this sterling collection of arias from mostly “Verismo” operas, Alvarez delivers electrifying accounts of both popular and lesser-known selections by masters like Puccini, Leoncavallo, Giordano, Mascagni and Massenet. You will also hear – possibly for the first time – a fascinating array of choice rarities by Verismo-era composers (Gomes, Cilea, Zandonai, and Halévy) who were prominent in their day, but whose music has since fallen into comparative neglect. Maestro Constantine Orbelian – leading the St. Petersburg State Symphony Orchestra – provides skillful and sensitive support.

Contents and tracklist

Vesti la giubba
Track length3:33
Non piangere, Liù
Track length2:27
Nessun dorma!
Track length3:11

Awards and reviews

November 2015

His voice has matured well, with no loss of quality in the tone itself, and it is certainly a larger and more powerful instrument than it was; there remains plenty of juice still in the sonic mix and, as the Chénier ‘Un dì, all’azzurro spazio’ solo amply demonstrates, his use of text continues to be focused and expressive. verall, it is good to see an artist fulfilling the ample promise of his earlier appearances with such an intelligently selected and expertly sung recital. Fine accompaniments are provided by the stylistically aware conductor and the excellent Russian players.
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