0 items, $0.00

Verdi: Un giorno di regno

Mikheil Kiria (Il Cavaliere di Belfiore), Simone Alberti (Il Barone di Kelbar), Alice Quintavalla (La Marchesa del Poggio), Angela Nisi (Giulietta di Kelbar), Marco Frusoni (Edoardo di Sanval), Dario Ciotoli (Il Signor La Rocca), Roberto Jachini Virgili (Il Conte di Ivrea), Marco Miglietta (Delmonte),...

it is well recorded with a pleasingly direct quality of sound. And whilst nobody here is a great performer, everyone is accomplished: Martino Faggiani conducts the Roma Sinfonietta with some... — Opera Now More…

Release Date: 29th Sep 2014
Catalogue No: TC812290
Label: Tactus
Length: 1 hour 48 minutes

Usually despatched in 3 - 4 working days

Contents

Verdi: Un giorno di regno

1:48:03

$37.00

$44.40

Roberto Jachini Virgili (tenor), Simone Alberti (baritone), Dario Ciotoli (baritone), Mikheil Kiria (baritone), Marco Miglietta (tenor), Marco Frusoni (tenor), Alice Quintavalla (soprano), Angela Nisi (soprano), Riccardo Certi (baritone)
Roma Sinfonietta, Bel Canto Chorus
Gabriele Bonolis
Recorded: November 2013
Recording Venue: Teatro Flavio Vespasiano Rieti, Italy

Sinfonia

5:54

$1.00

$1.20

Act I: Mai non rise

2:04

$1.00

$1.20

Act I: Tesoriere garbatissimo

1:50

$1.00

$1.20

Act I: Per si fausto matrimonio

1:25

$1.00

$1.20

Act I: Sua Maesta, signori

1:32

$1.00

$1.20

Act I: Compagnoni di Parigi

2:05

$1.00

$1.20

Act I: Verra pur troppo il giorno

1:55

$1.00

$1.20

Act I: Al doppio matrimonio

1:10

$1.00

$1.20

Act I: Sire, tremante io vengo

6:46

$1.00

$1.20

Act I: Ah, non m'hanno ingannata!

4:22

$1.00

$1.20

Act I: Si festevole mattina

2:41

$1.00

$1.20

Act I: Non san quant'io nel petto

4:20

$1.00

$1.20

Act I: Ebben, Giulietta mia

2:06

$1.00

$1.20

Act I: Cara Giulia, alfin ti vedo

6:50

$1.00

$1.20

Act I: In te, cugina, io spero

0:53

$1.00

$1.20

Act I: Bella speranza invero!

4:07

$1.00

$1.20

Act I: Quanto diceste

1:22

$1.00

$1.20

Act I: Diletto genero

3:19

$1.00

$1.20

Act I: Tesorier, io creder voglio

2:45

$1.00

$1.20

Act I: In qual punto

3:34

$1.00

$1.20

Act I: Ola, spiegatemi tosto, o barone

4:18

$1.00

$1.20

Act II: Ma le nozze non si fanno

2:30

$1.00

$1.20

Act II: Buoni amici

0:36

$1.00

$1.20

Act II: Pietoso al lungo pianto

2:02

$1.00

$1.20

Act II: Fini la sorte rea?

0:26

$1.00

$1.20

Act II: Deh lasciata a un'alma amante

2:18

$1.00

$1.20

Act II: Bene, scudiero

0:52

$1.00

$1.20

Act II: Un mio castello!

6:31

$1.00

$1.20

Act II: Ch'io non possa il ver comprendere?

5:11

$1.00

$1.20

Act II: Nipote, in quest'istante

0:34

$1.00

$1.20

Act II: Perche dunque non vien?

2:55

$1.00

$1.20

Act II: Ma voi tacete, o Sire?

2:32

$1.00

$1.20

Act II: Oh me felice appieno

6:44

$1.00

$1.20

Act II: Si, caro Conte!

1:09

$1.00

$1.20

Act II: A tal colpo

3:42

$1.00

$1.20

Act II: Sire, venne in quest'istante

2:10

$1.00

$1.20

Act II: Eh, Facciamo

2:33

$1.00

$1.20

About
Reviews
Explore

About

Verdi’s early production includes an opera, Un giorno di regno, that had a particularly unlucky fate. After the success of his first opera, 'Oberto, conte di San Bonifacio', Verdi was given the task, by the impresario Bartolomeo Merelli, of composing a comic opera for the Teatro alla Scala;, but this work coincided with the death of his wife, which took place shortly after the death of his two sons.

The levity of the subject-matter of this opera was inevitably incompatible with Verdi’s grief. His opera was a complete fiasco at the premiere of 5 September 1840 in Milan, and was withdrawn that very evening. The newspapers were particularly cruel to the composer, so much so that almost twenty years later Verdi, in a letter to his publisher Tito Ricordi, wrote that they had mistreated “the work of a poor young man who was ill, rushed, and devastated by a horrible calamity”. In the same letter, Verdi added that, even supposing that Un giorno di regno was a bad opera, many others “that were no better than it have been tolerated and maybe even applauded”.

Five years after its first night, after Verdi had met with a real triumph with Nabucco, Un giorno di regno was quite successful in Venice at the Teatro San Benedetto. In fact, to present-day listeners, this opera is far from being as disastrous as it has been considered for many years.

Artists

Mikheil Kiria (Il Cavaliere di Belfiore), Simone Alberti (Il Barone di Kelbar), Alice Quintavalla (La Marchesa del Poggio), Angela Nisi (Giulietta di Kelbar), Marco Frusoni (Edoardo di Sanval), Dario Ciotoli (Il Signor La Rocca), Roberto Jachini Virgili (Il Conte di Ivrea), Marco Miglietta (Delmonte), Riccardo Certi (Un Servo), Diego Procoli (fortepiano)

Belcanto Chorus, Roma Sinfonietta, Gabriele Bonolis

Reviews

Opera Now

it is well recorded with a pleasingly direct quality of sound. And whilst nobody here is a great performer, everyone is accomplished: Martino Faggiani conducts the Roma Sinfonietta with some élan, and the Belcanto Chorus is idiomatic.