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Sir Arnold Bax: Four Orchestral Pieces & Phantasy

Philip Dukes (viola)

BBC Philharmonic, Sir Andrew Davis

Sir Arnold Bax: Four Orchestral Pieces & Phantasy

Awards:

Dukes deliver the Phantasy's solo part with a forthright energy that seems to thwart loveliness of tone. In every other department these performances could hardly be finer. The orchestral playing...

Sir Arnold Bax: Four Orchestral Pieces & Phantasy

Philip Dukes (viola)

BBC Philharmonic, Sir Andrew Davis

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This release includes a digital booklet

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Awards:

Dukes deliver the Phantasy's solo part with a forthright energy that seems to thwart loveliness of tone. In every other department these performances could hardly be finer. The orchestral playing...

About

Sir Andrew Davis is among the most distinguished interpreters of British music today and here turns to the works of Sir Arnold Bax. With the inclusion of the Phantasy for Viola and Orchestra, this disc marks the completion of Chandos’s long project to record Bax’s complete orchestral music over time.

Born in 1883 into a wealthy family in London, Arnold Bax began a love affair with Ireland as a young man. He moved there in 1911 and his Four Orchestral Pieces from 1912 – 13 are deeply influenced by the landscape of the countryside near his Dublin home. The first three are better known in revised versions, from 1928, as Three Pieces for Small Orchestra. Here ‘The Dance of Wild Irravel’ joins the other three movements for the premiere recording of the four Pieces as Bax originally conceived and orchestrated them.

The Phantasy for Viola and Orchestra from 1920 was inspired by the strong feelings with which Bax responded to the Irish political turmoil at the time, underlined by his use of the Sinn Fein Marching Song (later the Irish national anthem) at its climax. Bax is celebrated for his melodic invention and this passionately lyrical score must be one of the finest examples of his gift. Here the soloist is Philip Dukes, described by The Times as ‘Great Britain’s most outstanding viola player’.

By 1927 Bax’s style was changing and the opening of the Overture, Elegy and Rondo is reminiscent of a classical concerto, suggesting a leaning towards then-fashionable neoclassicism. The long, dreamy melody of the middle section and brilliant, colourful orchestration, however, are unmistakable hallmarks of Bax’s individual voice.

Contents and tracklist

I. Pensive Twilight
Track length6:49
II. Dance in the Sun
Track length6:48
III. From the Mountains of Home (In the Hills of Home)
Track length8:15
IV. The Dance of Wild Irravel
Track length5:11
I. Poco lento. Largamente
Track length8:38
II. Lento semplice
Track length6:21
III. Allegro vivace
Track length7:02
I. Overture
Track length7:49
II. Elegy
Track length9:23
III. Rondo
Track length7:00

Spotlight on this release

Awards and reviews

November 2014

Dukes deliver the Phantasy's solo part with a forthright energy that seems to thwart loveliness of tone. In every other department these performances could hardly be finer. The orchestral playing is vivid and precise, as is the recorded sound; and Davis's conducting is a masterclass in how to conjure atmosphere.

October 2014

there's little with which to quibble performance-wise...Drawing some first-rate playing from the BBC Phiharmonic, Davis imparts plenty of confident swagger and twinkling fun to both outer movements...every Baxian will surely want to investigate this new Chandos survey.

1st September 2014

Dukes's tone is quite lovely: rich and full in the lower register, confident and singing up top...what a pleasant surprise this disc has turned out to be...I hope that all lovers of English music will want to explore this disc, and will delight in its many musical treasures!

14th September 2014

Dukes is a sterling advocate of this unjustly neglected work — the haunting cor anglais solo recalls the shepherd’s lament in Wagner’s Tristan — while Davis proves passionate in the impressionistic Four Orchestral Pieces and the powerful, dark Overture, Elegy and Rondo.

28th August 2014

Though stylistically the two works [Overture, Elegy and Rondo and Four Orchestral Pieces] have their differences...both works reveal the same sure-footed handling of the orchestra, which these carefully manicured performances under conductor Andrew Davis show off beautifully.
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