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Special offer. Mozart & Cimarosa: Bass Arias

Decca Most Wanted Recitals Vol. 9

Fernando Corena (bass)

Orchestra dell'Accademia di Santa Cecilia, Roma, L'Orchestre de la Suisse Romande, Orchestra of the Royal Opera House, Covent Garden, Orchestra del Pomeriggi Musicali di Milano, Alberto Erede, Peter Maag, Argeo Quadri, Bruno Amaducci

Mozart & Cimarosa: Bass Arias
Corena offers a characterful voice in the Mozartian extracts he performs in these 1950s recordings, as well as in the comic intermezzo by Cimarosa.

Special offer. Mozart & Cimarosa: Bass Arias

Decca Most Wanted Recitals Vol. 9

Fernando Corena (bass)

Orchestra dell'Accademia di Santa Cecilia, Roma, L'Orchestre de la Suisse Romande, Orchestra of the Royal Opera House, Covent Garden, Orchestra del Pomeriggi Musicali di Milano, Alberto Erede, Peter Maag, Argeo Quadri, Bruno Amaducci

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CD

$13.00

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From Original price $7.50 Reduced price $5.00

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Audio formats guide

44.1 kHz, 16 bit, FLAC/ALAC/WAV

Original price ($7.50) Reduced price $5.00

320 kbps, MP3

$5.00

No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit
Corena offers a characterful voice in the Mozartian extracts he performs in these 1950s recordings, as well as in the comic intermezzo by Cimarosa.

About

Contents and tracklist

"Tutto è disposto... Aprite un po' quegli occhi"
Track length4:18
"Non più andrai"
Track length3:50
"In diesen heil'gen Hallen"
Track length4:24
"Donne mie, la fate a tanti"
Track length3:09
"Madamina, il catalogo è questo"
Track length6:09
"Ah! pietà, signori miei!"
Track length1:53
"Se vuol ballare, signor Contino"
Track length2:36
"La vendetta, oh, la vendetta"
Track length3:27
Sinfonia
Track length2:29
"Se mi danno il permesso"
Track length2:37
"Quest' è il passo dei violini"
Track length6:31
Bravi! Bravissimi!
Track length2:01
"Ci sposeremo fra suoni"
Track length6:28

Awards and reviews

September 2014

Corena offers a characterful voice in the Mozartian extracts he performs in these 1950s recordings, as well as in the comic intermezzo by Cimarosa.
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