C P E Bach - Solo Keyboard Music Volume 26
Miklós Spányi (clavichord)
Why don't today's pianists jump on this repertoire as a matter of course?...The judiciously reverberant sound and the large-sized clavichords that Spanyi favours illuminate the composer's carefully...
C P E Bach - Solo Keyboard Music Volume 26
Miklós Spányi (clavichord)
Purchase product
Why don't today's pianists jump on this repertoire as a matter of course?...The judiciously reverberant sound and the large-sized clavichords that Spanyi favours illuminate the composer's carefully...
About
Carl Philipp Emanuel Bach published his 'Fortsetzung' Sonatas, Wq51, in 1761, only one year after the appearance of Six Sonatas with Varied Reprises, Wq50 (released on Volume 21, BIS-1624). Although the new collection contained only one single movement with a written-out varied reprise, Bach and his publisher, George Ludewig Winter, titled it Fortsetzung (continuation or sequel), obviously hoping to capitalize on the success of the set which had preceded it. (The same strategy was used two years later, with Zweite Fortsetzung, Wq52.) Although the ‘Fortsetzung’ Sonatas were not published together with the composer's own variants on them, such alternative versions exist in manuscript, and splitting this set of large-scale works over two discs, Miklós Spányi also includes recordings of these varied or embellished versions, which may represent the composer's revisions but could equally well have been intended as study material for his students. On the disc is also one of the composer's intriguing experiments – a re-composed version of the entire first sonata of the set, in which each movement has the same bass line and harmonic progressions as the original, yet is varied throughout in texture, rhythm and character. A tour de force in the technique of variation, Bach’s achievement becomes all the more impressive when one considers that he went on to compose yet another, entirely different version of the same sonata, which will be included on the next disc in this highly acclaimed series.
Contents and tracklist
- Miklós Spányi
- Recorded: July 2012
- Recording Venue: Keizerszaal, Sint-Truiden, Belgium
- Miklós Spányi
- Recorded: July 2012
- Recording Venue: Keizerszaal, Sint-Truiden, Belgium
- Miklós Spányi
- Recorded: July 2012
- Recording Venue: Keizerszaal, Sint-Truiden, Belgium
- Miklós Spányi
- Recorded: July 2012
- Recording Venue: Keizerszaal, Sint-Truiden, Belgium
- Miklós Spányi
- Recorded: July 2012
- Recording Venue: Keizerszaal, Sint-Truiden, Belgium
- Miklós Spányi
- Recorded: July 2012
- Recording Venue: Keizerszaal, Sint-Truiden, Belgium
Awards and reviews
November 2013
Why don't today's pianists jump on this repertoire as a matter of course?...The judiciously reverberant sound and the large-sized clavichords that Spanyi favours illuminate the composer's carefully considered dynamic contrasts, bringing welcome vibrancy and presence to the performance.
Early Music Today
There is much to appreciate here, with the more subtle dynamic shaping beautifully controlled, and it undoubtedly brings some appropriate attention to this anniversary composer.
