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C P E Bach - Solo Keyboard Music Volume 26

Miklós Spányi (clavichord)

Why don't today's pianists jump on this repertoire as a matter of course?...The judiciously reverberant sound and the large-sized clavichords that Spanyi favours illuminate the composer's carefully...

C P E Bach - Solo Keyboard Music Volume 26

Miklós Spányi (clavichord)

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Why don't today's pianists jump on this repertoire as a matter of course?...The judiciously reverberant sound and the large-sized clavichords that Spanyi favours illuminate the composer's carefully...

About

Carl Philipp Emanuel Bach published his 'Fortsetzung' Sonatas, Wq51, in 1761, only one year after the appearance of Six Sonatas with Varied Reprises, Wq50 (released on Volume 21, BIS-1624). Although the new collection contained only one single movement with a written-out varied reprise, Bach and his publisher, George Ludewig Winter, titled it Fortsetzung (continuation or sequel), obviously hoping to capitalize on the success of the set which had preceded it. (The same strategy was used two years later, with Zweite Fortsetzung, Wq52.) Although the ‘Fortsetzung’ Sonatas were not published together with the composer's own variants on them, such alternative versions exist in manuscript, and splitting this set of large-scale works over two discs, Miklós Spányi also includes recordings of these varied or embellished versions, which may represent the composer's revisions but could equally well have been intended as study material for his students. On the disc is also one of the composer's intriguing experiments – a re-composed version of the entire first sonata of the set, in which each movement has the same bass line and harmonic progressions as the original, yet is varied throughout in texture, rhythm and character. A tour de force in the technique of variation, Bach’s achievement becomes all the more impressive when one considers that he went on to compose yet another, entirely different version of the same sonata, which will be included on the next disc in this highly acclaimed series.

Contents and tracklist

I. Allegro moderato
Track length7:52
II. Andante
Track length3:27
III. Allegro
Track length6:24
I. Adagio sostenuto - Presto
Track length8:15
II. Adagio mesto e sostenuto
Track length5:58
III. Allegro
Track length5:28
I. Allegretto
Track length8:00
II. Molto adagio
Track length1:44
III. Allegro ma non tanto
Track length6:40
II. Adagio mesto e sostenuto (Embellished Version)
Track length5:48
II. Molto adagio (Embellished Version)
Track length1:47
I. Allegro moderato
Track length8:00
II. Andante
Track length3:44
III. Allegro
Track length6:29

Awards and reviews

November 2013

Why don't today's pianists jump on this repertoire as a matter of course?...The judiciously reverberant sound and the large-sized clavichords that Spanyi favours illuminate the composer's carefully considered dynamic contrasts, bringing welcome vibrancy and presence to the performance.

Early Music Today

There is much to appreciate here, with the more subtle dynamic shaping beautifully controlled, and it undoubtedly brings some appropriate attention to this anniversary composer.
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