C P E Bach - Solo Keyboard Music
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the playing is ideally expressive and idiomatic. — More…
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Why don't today's pianists jump on this repertoire as a matter of course?...The judiciously reverberant sound and the large-sized clavichords that Spanyi favours illuminate the composer's carefully... — More…
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The music, as so often with CPE Bach, is remarkable in its impact. At his most exploratory (the first movement of the Sonata in E minor), the questing spirit is fascinating. Possibly CPE’s last... — More…
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Special offer. C P E Bach - Solo Keyboard Music Volume 25
Sonatas from 1740-47
Miklós Spányi (clavichord)
Sonatas from the 1740s occupy Vol. 25 of Spanyi's immaculately considered companion series to his CPE Bach concerto cycle. The full-toned clavichord beguiles. — More…
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Special offer. C P E Bach - Solo Keyboard Music Volume 24
Sonatas from 1740–44
Miklós Spányi (clavichord)
It takes a while for the ear to accept on the clavichord music normally played on the harpsichord, but Miklos Spanyi's artistry justifies the effort. — More…
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Special offer. CPE Bach: Solo Keyboard Music, Vol. 38
The Earliest Works
Miklós Spányi (harpsichord)
The liner notes are candid in admitting that ‘many of the pieces...demand little technical prowess or musical sophistication’. Prowess and sophistication, of course, a two attributes Spányi... — More…
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Special offer. C P E Bach - Solo Keyboard Music Volume 20
Sonatas from 1760–66
Miklós Spányi (clavichord)
The generally more intimate character of these sonatas come off ideally at the clavichord. The instrument is very responsive to any action of the player and allows a very fine dynamic shading...Miklos... — More…
