Browse: C P E Bach - Solo Keyboard Music (series)
These sonatas are neither short nor easy, but Spányi certainly has their measure on his resonant and (relatively) powerful copy of a German clavichord from the 1780s. This is a disc which should... — More…
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The music, as so often with CPE Bach, is remarkable in its impact. At his most exploratory (the first movement of the Sonata in E minor), the questing spirit is fascinating. Possibly CPE’s last... — More…
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The liner notes are candid in admitting that ‘many of the pieces...demand little technical prowess or musical sophistication’. Prowess and sophistication, of course, a two attributes Spányi possesses... — More…
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C P E Bach - Solo and Concerto Keyboard Music Volume 15
Miklós Spányi (clavichord & tangent piano)
Opus X Ensemble, Petri Tapio Mattson
2 CDs
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Spányi is, as ever, a fastidious player, keenly attuned to Bach's particular brand of Empfindsamkeit, especially in the quasi-improvisatory slow movements. — More…
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Played on a fine copy of a late clavichord, Bach's reportedly impassioned playing is particularly reflected in a lavishly ornamented version of an 'amoroso' movement. — More…
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It takes a while for the ear to accept on the clavichord music normally played on the harpsichord, but Miklos Spanyi's artistry justifies the effort. — More…
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The generally more intimate character of these sonatas come off ideally at the clavichord. The instrument is very responsive to any action of the player and allows a very fine dynamic shading...Miklos... — More…
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Why don't today's pianists jump on this repertoire as a matter of course?...The judiciously reverberant sound and the large-sized clavichords that Spanyi favours illuminate the composer's carefully... — More…
