Tallis: Salve intemerata & other sacred music
Robert Evans (bass), Robert Evans (bass) & Robert Rice (baritone), Robert Rice (baritone)
The Cardinall's Musick, Andrew Carwood
In the anthems, particularly, the Cardinall's Musick pulls the listener into Tallis's splendid architecture, with perfect paragraphing and line shape. For the most part, though, it retains a...
Tallis: Salve intemerata & other sacred music
Robert Evans (bass), Robert Evans (bass) & Robert Rice (baritone), Robert Rice (baritone)
The Cardinall's Musick, Andrew Carwood
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In the anthems, particularly, the Cardinall's Musick pulls the listener into Tallis's splendid architecture, with perfect paragraphing and line shape. For the most part, though, it retains a...
About
The Cardinall’s Musick and Andrew Carwood continue their exploration of the sacred music of the acknowledged master of the Tudor era, Thomas Tallis. This project follows the completion of their multi-award-winning series of Byrd’s Latin music.
Tallis’s career spans the reigns of four radically different and difficult monarchs, all of whom forced their own religious beliefs on an increasingly divided country. Their various attitudes to the religious questions of the day meant that each required different liturgies and different music to adorn them. Tallis excelled in every style, and this album contains examples of each of them, from the monumental Marian votive antiphon Salve intemerata virgo to the modest English-texted settings of I call and cry to thee and of Psalm translations by Elizabeth I’s Archbishop, Matthew Parker.
Contents and tracklist
- Robert Evans (bass)
- The Cardinall’s Musick
- Andrew Carwood
- Robert Evans (bass), Robert Rice (baritone)
- The Cardinall’s Musick
- Andrew Carwood
- Robert Rice (baritone)
- The Cardinall’s Musick
- Andrew Carwood
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Awards and reviews
November 2013
In the anthems, particularly, the Cardinall's Musick pulls the listener into Tallis's splendid architecture, with perfect paragraphing and line shape. For the most part, though, it retains a poised distance, with the result that the stylistic contrasts between pre- and post-Reformation never clearly emerge.
October 2013
These are commendably committed, full-blooded performances verging at times on over-ripeness...Generally, though, confidence inspires confidence, as in much of the Mass and in Domine, quis habitavit; as for Salve, intemerata, they make as good a case for it as I can recall. More, please.