Here we get all of Schubert's works written for violin and piano, in performances which it is hard to imagine ever being bettered...Alina Ibragimova and Cedric Tiberghien don't attempt to make them bigger or greater than they are.

These performances exhibit that feeling of spontaneous enjoyment which animated Ibragimova and Tiberghien's live Beethoven set from the Wigmore Hall. Their playing is constantly graced by small touches of rubato, never very much but enough to give a sense of freedom and individuality

These are magical performances by two young artists who clearly enjoy the joint experience of music-making. Intelligence and integrity mark these interpretations out with distinction. I was very taken by the rich tone of the violin, which is an Anselmo Bellosio of 1775... This is one of the listening highlights of my year - all in all a consummate achievement.

It is fantastically vibrant playing, technically brilliant and always stylish. As in their previous discs together, Alina Ibragimova and Cédric Tiberghien play with a real rapport and affinity, and Tiberghien’s sensitive touch and ability to identify the most crucial harmonies and allow them just that fraction more time helps elevate this music making to the very highest level.

Most bewitching of all, and performed with a lightness and poise by this established duo, is the Fantasy in C major, breaking convention at every turn, written in 1827.

The wise judgment of scale and perspective is a conspicuous feature of their playing here...Ibragimova and Tiberghien adopt an intimate, gently expressive manner in the early sonatas, though it can still possess rhythmic gusto...Ibragimova and Tiberghien encompass the [later] music with exhilarating flair but, as in the earlier works, with a keen stylistic ear.