Special offer. Mozart & Brahms: Requiem
Nancy Argenta (soprano), Catherine Robbin (contralto), John Mark Ainsley (tenor), Alastair Miles (bass), Lynne Dawson (soprano), Olaf Bär (baritone)
London Classical Players, Schütz Choir of London, Roger Norrington
this is an enjoyable traversal of the [Mozart Requiem] score, with plenty of character and many points of illumination. —
Contents
Mozart: Masonic Funeral Music in C minor, K477
- London Classical Players
- Sir Roger Norrington
- Recorded: 1991-09-06
- Recording Venue: 3-6 September 1991 / St Augustine's Church, Kilburn
Mozart: Requiem in D minor, K626
- Nancy Argenta (soprano), John Mark Ainsley (tenor), Alastair Miles (bass), Catherine Robbin (contralto)
- Schütz Choir of London, London Classical Players
- Sir Roger Norrington
- Recorded: 1991-09-06
- Recording Venue: 3-6 September 1991 / St Augustine's Church, Kilburn, London
Introitus: Requiem aeternam
Kyrie eleison
Dies irae
Mozart: Ave verum corpus, K618
- Schütz Choir of London, London Classical Players
- Sir Roger Norrington
- Recorded: 1991-09-06
- Recording Venue: 3-6 September 1991 / St Augustine's Church, Kilburn, London
Brahms: Begräbnisgesang, Op. 13
- Wolfgang Riedelbauch (vocals)
- London Classical Players, Schütz Choir of London, The Schütz Choir Of London
- Sir Roger Norrington
- Recorded: 1992-03-26
- Recording Venue: 23-26 March 1992 / No. 1 Studio, Abbey Road, London
Brahms: Ein Deutsches Requiem, Op. 45
- Olaf Bär (bass-baritone), Lynne Dawson (soprano)
- Schütz Choir of London, London Classical Players
- Sir Roger Norrington
- Recorded: 1992-03-26
- Recording Venue: 23-26 March 1992 / No. 1 Studio, Abbey Road, London
I. Selig sind, die da Leid tragen (Zemlich langsam)
II. Denn alles Fleisch es ist wie Gras (Langsam, marschmässig)
III. Herr, lehre doch mich (Andante moderato)