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Verdi: Il Trovatore
Claudio Sgura (Il Conte di Luna), Teresa Romano (Leonora), Mzia Nioradze (Azucena), Marcelo Alvarez (Manrico), Deyan Vatchkov (Ferrando), Cristina Giannelli (Ines), Roberto Jachini Virgili (Ruiz)
Orchestra e Coro del Teatro Regio di Parma
Large symbols...make an effective home for a serious Il Trovatore, precisely paced and balanced by Yuri Temirkanov...Especially notable is his handling of what one might term 'old' Verdi orchestral...
Verdi: Il Trovatore
Claudio Sgura (Il Conte di Luna), Teresa Romano (Leonora), Mzia Nioradze (Azucena), Marcelo Alvarez (Manrico), Deyan Vatchkov (Ferrando), Cristina Giannelli (Ines), Roberto Jachini Virgili (Ruiz)
Orchestra e Coro del Teatro Regio di Parma
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Large symbols...make an effective home for a serious Il Trovatore, precisely paced and balanced by Yuri Temirkanov...Especially notable is his handling of what one might term 'old' Verdi orchestral...
About
C Major continue their Tutto Verdi project with Il Trovatore, performed at the Teatro Regio di Parma.
Il Trovatore was based on the play El Trovador by Antonio García Gutiérrez and was an instant success.
The cast is here led by Marcelo Alvarez, Norma Fantini and Leo Nucci and is conducted by Yuri Termirkanov.
PICTURE: 16:9, HD
SOUND: BD: DTS-HD MA 5.1, PCM 2.0
RUNNING TIME: 152 MINUTES (OPERA: 142 MINUTES, BONUS: 10 MINUTES)
SUBTITLES: ITALIAN (ORIGINAL LANGUAGE), ENGLISH, GERMAN, FRENCH, SPANISH, CHINESE, KOREAN, JAPANESE
AVAILABLE WORLDWIDE
Contents and tracklist
- Teatro Regio di Parma, 2010
- Claudio Sgura (Il Conte di Luna), Teresa Romano (Leonora), Mzia Nioradze (Azucena), Marcelo Alvarez (Manrico), Deyan Vatchkov (Ferrando), Cristina Giannelli (Ines), Roberto Jachini Virgili (Ruiz), Enrico Rinaldo (Un vecchio zingaro), Seung Hwa Peak (Un messo)
- Teatro Regio di Parma
- Yuri Temirkanov & Lorenzo Mariani (stage director)
Spotlight on this release
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Awards and reviews
February 2014
Large symbols...make an effective home for a serious Il Trovatore, precisely paced and balanced by Yuri Temirkanov...Especially notable is his handling of what one might term 'old' Verdi orchestral tricks (ironic Bellinian wind counterpoints of parodistic military brass). The casting here is led by a Manrico from Marcelo Alvarez worthy of vocal and dramatic attention.