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Special offer. Bach - Cantatas Volume 51

Hana Blažíková (soprano), Damien Guillon (counter-tenor), Christoph Genz (tenor) & Peter Kooij (bass)

Bach Collegium Japan, Masaaki Suzuki

Bach - Cantatas Volume 51
[BWV 157] contrives a ravishing foil to all the nuptial exuberance. Its tenor aria is elegantly turned by Christoph Genz...Suzuki's customary transparent springiness, sensitivity and almost...

Special offer. Bach - Cantatas Volume 51

Hana Blažíková (soprano), Damien Guillon (counter-tenor), Christoph Genz (tenor) & Peter Kooij (bass)

Bach Collegium Japan, Masaaki Suzuki

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[BWV 157] contrives a ravishing foil to all the nuptial exuberance. Its tenor aria is elegantly turned by Christoph Genz...Suzuki's customary transparent springiness, sensitivity and almost...

About

Bach Collegium Japan and Masaaki Suzuki return to their cantatas cycle with four cantatas composed for specific events.

These sacred occasional pieces are independent works and did not form part of his cantata cycles for the Sundays and feast days of the church year. Two of cantatas (BWV 195 and BWV 120a) were intended for wedding ceremonies, and one for a funeral (Ich lasse dich nicht… BWV 157), but the setting for the fourth piece, Nun danket alle Gott, BWV 192, is unknown.

The cycle of cantatas initiated by Masaaki Suzuki and Bach Collegium Japan in 1995 is nearing completion, with four volumes to come. Volume 50 was acclaimed by reviewers who praised the continued high quality of interpretation and performance.

Contents and tracklist

Dem Gerechten muss das Licht immer wieder aufgehen (Chorus, Soprano, Alto, Tenor, Bass)
Track length4:39
Recitative. Dem Freudenlicht gerechter Frommen (Bass)
Track length1:08
Aria. Ruhmet Gottes Gut und Treu (Bass)
Track length4:50
Recitative. Wohlan, so knupfet denn ein Band (Soprano)
Track length1:08
Wir kommen, deine Heiligkeit (Chorus, Soprano, Alto, Tenor, Bass)
Track length6:06
Chorale. Nun danket all und bringet Ehr (Chorus)
Track length0:58
Nun danket alle Gott (Chorus)
Track length4:54
Duet. Der ewig reiche Gott (Soprano, Bass)
Track length2:57
Lob, Ehr und Preis sei Gott (Chorus)
Track length3:09
Duet. Ich lasse dich nicht, du segnest mich denn! (Tenor, Bass)
Track length4:50
Aria. Ich halte meinen Jesum feste (Tenor)
Track length6:45
Recitative. Mein lieber Jesu du (Tenor)
Track length1:20
Aria, Recitative and Arioso. Ja, ja, ich halte Jesum feste (Bass)
Track length5:48
Chorale. Meinen Jesum lass ich nicht (Chorus)
Track length0:59
Recitative and Chorus. Wie wunderbar, o Gott, sind deine Werke (Bass, Tenor, Chorus)
Track length2:56
Aria. Leit, o Gott, durch deine Liebe (Soprano)
Track length6:09
Sinfonia
Track length3:34
Recitative. Herr Zebaoth (Tenor, Chorus)
Track length1:21
Aria. Herr, fange an und sprich den Segen (Alto, Tenor)
Track length7:03
Recitative. Der Herr, Herr unser Gott (Bass)
Track length1:26
Choral. Lobe den Herren (Chorus)
Track length1:48

Awards and reviews

December 2012

[BWV 157] contrives a ravishing foil to all the nuptial exuberance. Its tenor aria is elegantly turned by Christoph Genz...Suzuki's customary transparent springiness, sensitivity and almost feline gracefulness ensure a trousseau of sophisticated delights.

28th January 2013

Suzuki and his well-honed forces lavish at least as much loving attention on them as usual...Fluently stylish and idiomatic, the performers live and breathe Bach's music with as much immediacy as if it had been composed yesterday...one of the very best and most joyful in the series so far.

February 2013

Suzuki accords these works the same level of respect as Bach did, consistently striking the right balance between either joyous celebration or sober reflection and a controlled dignity proper to the occasions they adorned. His choir and orchestra perform lovingly as ever, phrasing with profond taste and intelligence, and benefitting from sound and balance judged to perfection.

14th October 2012

Even by the standards of Suzuki's continuing cantata series...this is an outstanding release...The duets of BWV 192 and 157 are deftly done, while the dense and complex choruses of BWV 195 are utterly stunning.
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