Martha Argerich: Lugano Concertos
Martha Argerich (piano), with Alexander Gurning (piano), with Paul Gulda & Rico Gulda (piano), with Akane Sakai (piano), with Alexander Mogilevsky (piano), with Gabriela Montero (piano), Susan Roberts, Helene Schneidermann, Daniel Norman, Carsten Wittmoser, Yulia Zaichkina, Alexander Mogilevsky...
Awards:
-
Building a Library, May 2017, Also Recommended
I would not deter anyone from duplicating because...there are many moments and passages of pure delight, often deriving from the frisson of a live performance (listen to the Poulenc!) One marvels...
Martha Argerich: Lugano Concertos
Martha Argerich (piano), with Alexander Gurning (piano), with Paul Gulda & Rico Gulda (piano), with Akane Sakai (piano), with Alexander Mogilevsky (piano), with Gabriela Montero (piano), Susan Roberts, Helene Schneidermann, Daniel Norman, Carsten Wittmoser, Yulia Zaichkina, Alexander Mogilevsky...
Purchase product
Awards:
-
Building a Library, May 2017, Also Recommended
I would not deter anyone from duplicating because...there are many moments and passages of pure delight, often deriving from the frisson of a live performance (listen to the Poulenc!) One marvels...
About
Contents and tracklist
- Martha Argerich (piano)
- Orchestra della Svizzera Italiana
- Alexandre Rabinovitch-Barakovsky
- Recorded: 2005-06-29
- Recording Venue: Palazzo dei Congressi, Lugano
- Martha Argerich (piano), Alexander Gurning (piano)
- Orchestra della Svizzera Italiana
- Erasmo Capilla
- Recorded: 2007-06-09
- Recording Venue: Palazzo dei Congressi, Lugano
- Paul Gulda (piano), Rico Gulda (piano), Martha Argerich (piano)
- Orchestra della Svizzera Italiana
- Alexandre Rabinovitch-Barakovsky
- Recorded: 2006-06-29
- Recording Venue: Palazzo dei Congressi, Lugano
- Martha Argerich (piano)
- Orchestra della Svizzera Italiana
- Alexander Vedernikov
- Recorded: 2010-06-18
- Recording Venue: Palazzo dei Congressi, Lugano
- Martha Argerich (piano)
- Orchestra della Svizzera Italiana
- Alexandre Rabinovitch-Barakovsky
- Recorded: 2004-06-17
- Recording Venue: Palazzo dei Congressi, Lugano
- Martha Argerich (piano)
- Orchestra della Svizzera Italiana
- Charles Dutoit
- Recorded: 2008-06-28
- Recording Venue: Palazzo dei Congressi, Lugano
- Martha Argerich (piano)
- Orchestra della Svizzera Italiana
- Gabriel Chmura
- Recorded: 2009-06-19
- Recording Venue: Auditorio Stelio Molo, Lugano
- Martha Argerich (piano)
- Orchestra della Svizzera Italiana
- Ion Marin
- Recorded: 2004-06-17
- Recording Venue: Palazzo dei Congressi, Lugano
- Martha Argerich (piano)
- Orchestra della Svizzera Italiana
- Alexander Vedernikov
- Recorded: 2007-06-23
- Recording Venue: Palazzo dei Congressi, Lugano
- Martha Argerich (piano), Akane Sakai (piano)
- Recorded: 2006-06-01
- Recording Venue: Auditorio Stelio Molo, Lugano
- Martha Argerich (piano), Alexander Mogilevsky (piano)
- Recorded: 2006-06-12
- Recording Venue: Auditorio Stelio Molo, Lugano
- Martha Argerich (piano), Gabriela Montero (piano)
- Coro della Radiotelevisione della Svizzera Italiana
- Diego Fasolis
- Recorded: 2005-06-23
- Recording Venue: Auditorio Stelio Molo, Lugano
- Susan Roberts (soprano), Helene Schneiderman (mezzo-soprano), Daniel Norman (tenor), Carsten Wittmoser (bass), Martha Argerich (piano), Yulia Zaichkina (piano), Alexander Mogilevsky (piano), Alexander Gurning (piano)
- Lugano Percussion Group, Coro della Radiotelevisione Svizzera di Lugano
- Diego Fasolis
- Recorded: 2004-06-26
- Recording Venue: Auditorio Stelio Molo, Lugano
- Susan Roberts (soprano), Helene Schneiderman (mezzo-soprano), Daniel Norman (tenor), Carsten Wittmoser (bass), Martha Argerich (piano), Yulia Zaichkina (piano), Alexander Mogilevsky (piano), Alexander Gurning (piano)
- Lugano Percussion Group, Coro della Radiotelevisione Svizzera di Lugano
- Diego Fasolis
- Recorded: 2004-06-26
- Recording Venue: Auditorio Stelio Molo, Lugano
- Karin Merle (piano), Martha Argerich (piano)
- Recorded: 2004-06-15
- Recording Venue: Auditorio Stelio Molo, Lugano
Awards and reviews
January 2013
I would not deter anyone from duplicating because...there are many moments and passages of pure delight, often deriving from the frisson of a live performance (listen to the Poulenc!) One marvels anew at such freshly minted interpretations married to the insights, subtle nuances and detail acquired only after long acquaintance.
December 2012
Few artists being such unfettered joy to their music-making as Argerich, and few combine such artless spontaneity, technical brilliance and searching insights. These are qualitites that shine through this marvellous new set...Even collectors who have Argerich playing most of these works already are likely to be as thrilled and elated as I have been listening to this extraordinary anthology
22nd November 2012
it's a supercharged, witty performance [of the Poulenc] from 2007; Argerich's lacerating runs in the first movement are worth the price of the set alone...[Scaramouche is] a final helping of joyous, free-wheeling music-making.
21st December 2012
amply featuring her mercurial magic and joy in communal music-making.
New York Times 23rd November 2012
[Argerich] combines a colossal technique with powerfully instinctive musicianship and electrifying energy. This exciting release is an ideal present.