Offer, Wagner: Lohengrin

Klaus Florian Vogt (Lohengrin), Annette Dasch (Elsa), Susanne Resmark (Ortrud), Gerd Grochowski (Friedrich von Telramund), Markus Brück (Der Heerrufer des Königs), Günther Groissböck (Heinrich der Vogler)

Rundfunk-Sinfonieorchester Berlin & Rundfunkchor Berlin, Marek Janowski

Janowski has matured into the most reliably impressive Wagner conductor of our time...[Vogt] has a lovely voice, though it occasionally sounds thin; but he is expressive, intelligent and convincing.... — BBC Music Magazine, October 2012, More…

Release Date: 16th Jul 2012
Catalogue No: PTC5186403
Label: Pentatone
Series: Marek Janowski Wagner Opera Cycle
Length: 3 hours 20 minutes

BBC Music Magazine

October 2012

Opera Choice
Gramophone Magazine

Awards Issue 2012

Editor's Choice

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Pentatone - up to 60% off Special offer ends: 15/07/2019

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Contents

Wagner: Lohengrin

3:20:07

$49.35

$58.80

$86.90

Berlin Radio Symphony Orchestra, Berlin Radio Choir
Marek Janowski
Gerd Grochowski (baritone), Annette Dasch (soprano), Susanne Resmark (mezzo-soprano), Klaus Florian Vogt (tenor), Günther Groissböck (bass), Markus Bruck (baritone)

Act I: Prelude

8:30

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Act I Scene 1: Hort! Grafen, Edle, Freie von Brabant! (Herald, Chorus, The King)

4:32

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Act I Scene 1: Dank, Konig, dir, dass du zu richten kamst! (Friedrich, Chorus, Herald, The King)

6:14

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Show 34 remaining tracks for Wagner: Lohengrin

Act I Scene 2: Seht ihn! Sie naht, die hart Beklagte! (Chorus, The King, Elsa)

3:38

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Act I Scene 2: Einsam in truben Tagen hab' ich zu Gott gefleht (Elsa, Chorus, The King)

3:54

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Act I Scene 2: Mich irret nicht ihr traumerischer Mut (Friedrich, Chorus, The King, Elsa)

5:11

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Act I Scene 2: Wer hier in Gotteskampfe zu streiten kam (Herald, Chorus, Friedrich, Elsa)

4:58

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Act I Scene 3: Nun sei bedankt, mein lieber Schwan! (Lohengrin, Chorus, The King)

3:18

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Act I Scene 3: Zum Kampf fur eine Magd zu steh'n (Lohengrin, Elsa, Chorus)

6:01

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Act I Scene 3: Nun hort! Euch, Volk und Edlen, mach' ich kund (Lohengrin, Chorus, Friedrich, The King)

2:11

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Act I Scene 3: Nun horet mich und achtet wohl (Herald, Chorus, Lohengrin, Friedrich, The King, Elsa, Ortrud)

7:05

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Act I Scene 3: Durch Gottes Sieg ist jetzt dein Leben mein (Lohengrin, Chorus, The King, Elsa, Ortrud, Friedrich)

3:44

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Act II Scene 1: Introduction

3:49

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Act II Scene 1: Erhebe dich, Genossin meiner Schmach! (Friedrich, Ortrud)

7:23

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Act II Scene 1: Du wilde Seherin! Wie willst du doch (Friedrich, Ortrud)

7:31

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Act II Scene 2: Euch Luften, die mein Klagen (Elsa, Ortrud, Friedrich)

2:42

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Act II Scene 2: Elsa! … Wer ruft? (Ortrud, Elsa)

4:13

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Act II Scene 2: Entweihte Gotter, helft jetzt meiner Rache! (Ortrud, Elsa)

3:47

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Act II Scene 2: Wie kann ich solche Huld dir lohnen (Ortrud, Elsa, Friedrich)

6:56

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Act II Scene 3: Im Fruh'n versammelt uns der Ruf (Chorus)

4:49

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Act II Scene 3: Des Konigs Wort und Will' tu' ich euch kund (Herald, Chorus, Four Nobles, Friedrich, Four Pages)

8:15

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Act II Scene 4: Gesegnet soll sie schreiten (Chorus)

5:20

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Act II Scene 4: Zuruck, Elsa! Nicht langer will ich dulden (Ortrud, Chorus, Elsa, The King, Lohengrin)

8:19

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Act II Scene 4: O Konig! Trugbetorte Fursten! Haltet ein! (Friedrich, The King, Chorus, Lohengrin)

5:24

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Act II Scene 4: Welch ein Geheimnis muss der Held Bewahren? (The King, Chorus, Ortrud, Friedrich, Lohengrin, Elsa)

4:16

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Act II Scene 4: Mein Held entgeg'ne kuhn dem Ungetreuen! (The King, Chorus, Lohengrin, Friedrich, Elsa)

6:39

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Act III: Prelude

3:08

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Act III Scene 1: Treulich gefuhrt, ziehet dahin (Wedding March) (Ladies, Men, Women)

4:18

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Act III Scene 2: Das susse Lied verhallt; wir sind allein (Lohengrin, Elsa)

1:41

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Act III Scene 2: Fuhl' ich zu dir so suss mein Herz entbrennen (Elsa, Lohengrin)

5:01

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Act III Scene 2: Atmest du nicht mit mir die sussen Dufte? (Lohengrin, Elsa)

3:56

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Act III Scene 2: Hochstes Vertrau'n hast du mir schon zu danken (Lohengrin, Elsa)

7:52

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Act III Scene 2: Weh', nun ist all' unser Gluck dahin! (Lohengrin, Elsa)

4:48

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Act III Scene 3: Heil, Konig Heinrich! (All The Men, The King, Four Nobles)

6:35

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Act III Scene 3: Macht Platz, macht Platz dem Helden von Brabant! (Chorus, The King, Lohengrin, The King's Men, Ladies)

5:37

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Act III Scene 3: Tale of the Grail: In fernem Land, unnahbar euren Schritten …(Lohengrin, The King, Men, Women)

10:49

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Act III Scene 3: Mein lieber Schwan! (Lohengrin, The King, Men, Women, Ortrud, Elsa)

7:43

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Hide 34 tracks for Wagner: Lohengrin

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The latest release in this unique Wagner edition. Previously, Parsifal was BBC Music Magazine’s recording of the Month; “… spontaneity of something which has sunk so deeply into the performers’ minds and souls that they can throw caution to the wind.”

Reviews

October 2012

Janowski has matured into the most reliably impressive Wagner conductor of our time...[Vogt] has a lovely voice, though it occasionally sounds thin; but he is expressive, intelligent and convincing. So is his Elsa, soprano Annette Dasch. The villains match them, especially mezzo-soprano Susanne Resmark as Ortrud, who calls on the pagan gods with thrilling panache...I await the rest of the Pentatone series with impatience.

Awards Issue 2012

[Dasch] is the ne plus ultra in slim-sounding, girlish Elsas. But it sounds and works so beautifully...[Vogt's] understanding of the part triumphs, there is much lovely quieter singing and he is able to bring special atmosphere to the Grail narration...Resmark is pushed at times by the tessitura...but gives such a firecracker Ortrud that no one should care...There's a terrifyingly long list of worthwhile Lohengrin recordings, to which this newcomer is a serious competitor

September 2012

This is a Lohengrin to be listened to in Bruckner mode: revel in the sound of chorus and orchestra and put up with the voices, though I am sure some will react differently to Vogt's Lohengrin.

15th July 2012

The shimmering “holy” textures of [the Act I prelude is] evidence of the sonorous string culture of this Berlin band, as remarkable as that of its Rattle- and Barenboim-led rivals. Janowski is a master Wagnerian, but his swift tempi and propulsive momentum are the antithesis of Barenboim’s more spacious Wagner.

Classics Today

As early as the Prelude the quality of the audio shines: the separation of the strings is spotless and crystal-clear...the music, as it should, shimmers in mid air. And so it goes throughout the performance...[Vogt’s] singing is outstandingly beautiful and sensitive, and you get used to the small-but-gleaming sound after a while...Lohengrin is supposed to be otherworldy, and Vogt’s sound certainly is.