Brahms: Symphonies Nos. 1 & 4
Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons
it's clear from the volatile wistfulness with which Jansons phrases its opening bars that he just loves the Fourth Symphony...This is undoubtedly a reading to return to.
Brahms: Symphonies Nos. 1 & 4
Symphonieorchester des Bayerischen Rundfunks, Mariss Jansons
Purchase product
it's clear from the volatile wistfulness with which Jansons phrases its opening bars that he just loves the Fourth Symphony...This is undoubtedly a reading to return to.
About
One year after the successful release of the 2nd and 3rd symphonies by Johannes Brahms, the present double CD now completes the full cycle of Brahms’s symphonies, as performed by the Symphonieorchester des Bayerischen Rundfunks under the direction of Mariss Jansons. Only a few weeks ago, Mariss Jansons finished the recording of the 4th symphony in Munich’s Herkulessaal. Along with his 1st symphony (“Beethoven’s Tenth”), it puts the finishing touch on the complete performance of Johannes Brahms’ symphonic works, compositions oriented around the creativity of his great role model, yet in many ways also forward looking and innovative.
The first complete Brahms cycle with Mariss Jansons.
A brand-new recording from February 2012.
Contents and tracklist
Awards and reviews
October 2012
it's clear from the volatile wistfulness with which Jansons phrases its opening bars that he just loves the Fourth Symphony...This is undoubtedly a reading to return to.
August 2012
Throughout [the first] movement an assured Jansons successfully provides generous quantities of beauty, sadness and even menace...Jansons and his Bavarian Radio colleagues are impressive Brahmsians. Any serious collector should be happy to hold this set of Brahms’ symphonies.
15th July 2012
[Jansons’s account of these two Brahms symphonies] is notable for the care taken with articulation, phrasing and balance, and for the disciplined force of his Bavarian orchestra. All the more disappointing, then, that No 1 receives a performance that is generally so dull...Happily, in No 4, Jansons’s qualities come fully to the fore. Here everything is alive, and dullness is banished.
