C P E Bach - Solo Keyboard Music Volume 24
Sonatas from 1740–44
Miklós Spányi (clavichord)
It takes a while for the ear to accept on the clavichord music normally played on the harpsichord, but Miklos Spanyi's artistry justifies the effort.
C P E Bach - Solo Keyboard Music Volume 24
Sonatas from 1740–44
Miklós Spányi (clavichord)
Purchase product
It takes a while for the ear to accept on the clavichord music normally played on the harpsichord, but Miklos Spanyi's artistry justifies the effort.
About
This disc features works from a hugely productive period of C.P.E Bach’s career between 1740 and 1744.
In these years two ambitious sets of six sonatas – the ‘Prussian’ (1740-41) and the ‘Württemberg’(1742-44) – were published along with a number of other sonatas of a similar scale. On this disc, four such sonatas have been included.
Miklós Spányi plays these works on a newly built clavichord by the eminent builder Joris Potvlieghe.
Contents and tracklist
Work length15:07
- Miklós Spányi
- Recorded: February 2011
- Recording Venue: Keizerszaal, Sint-Truiden, Belgium
I. Allegro
Track length9:27
II. Andante
Track length2:24
III. Allegro
Track length3:16
Work length17:37
- Miklós Spányi
- Recorded: February 2011
- Recording Venue: Keizerszaal, Sint-Truiden, Belgium
I. Allegretto
Track length6:39
II. Andante sostenuto
Track length5:09
III. Presto
Track length5:49
Bach, C P E:
Keyboard Sonata in E Major, Wq. 62 / 5, H. 39
Work length19:23
- Miklós Spányi
- Recorded: February 2011
- Recording Venue: Keizerszaal, Sint-Truiden, Belgium
I. Allegro
Track length7:59
II. Andantino
Track length4:30
III. Vivace di molto
Track length6:54
Work length20:04
- Miklós Spányi
- Recorded: February 2011
- Recording Venue: Keizerszaal, Sint-Truiden, Belgium
I. Poco allegro
Track length8:01
II. Adagio
Track length5:26
III. Allegro molto
Track length6:37
Awards and reviews
June 2012
It takes a while for the ear to accept on the clavichord music normally played on the harpsichord, but Miklos Spanyi's artistry justifies the effort.
September 2012
There's no sense of flagging energy or commitment as Miklos Spanyi reaches the 23rd and 24th columes of his survey of the music of CPE Bach...Spanyi displays throughout a profound understanding of this music, tempering his approach to each piece accordingly.
