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Handel: Il pastor fido, HWV8a
Lucy Crowe (Amarilli), Anna Dennis (Mirtillo), Katherine Manley (Eurilla), Madeleine Shaw (Dorinda), Clint van der Linde (Silvio) & Lisandro Abadie (Tirenio)
La Nuova Musica, David Bates
Bates makes no attempt to address Il pastor fido's dramatic shortcomings in La Nuova Musica's world premiere recording. His love of Handel's instrumental textures is apparent...In Dennis, we...
Handel: Il pastor fido, HWV8a
Lucy Crowe (Amarilli), Anna Dennis (Mirtillo), Katherine Manley (Eurilla), Madeleine Shaw (Dorinda), Clint van der Linde (Silvio) & Lisandro Abadie (Tirenio)
La Nuova Musica, David Bates
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Bates makes no attempt to address Il pastor fido's dramatic shortcomings in La Nuova Musica's world premiere recording. His love of Handel's instrumental textures is apparent...In Dennis, we...
About
For its harmonia mundi début, the London-based La Nuova Musica, led by David Bates, presents a true rarity: the original 1712 version of Handel's opera 'Il pastor fido' (The Faithful Shepherd) featuring Lucy Crowe, Anna Dennis, Katherine Manley, Madeleine Shaw and Clint van der Linde.
'Il pastor fido' was first performed at the Queen’s Theatre on 22 November 1712, but achieved only seven performances throughout the season. One unimpressed eyewitness complained in his diary ‘The Scene represented only ye Country of Arcadia. ye Habits were old – ye Opera Short.’
Handel’s distinctive original version of his Arcadian opera was not heard again until its first modern revival at Abingdon in 1971; more than 40 years on, this performance by La Nuova Musica is its first recording.
La Nuova Musica is a vocal and instrumental ensemble dedicated to the music of the European Renaissance and Baroque. In less than five years since its foundation by counter-tenor David Bates, it has shot to prominence in the UK and abroad, establishing itself amongst critics and audiences as both a fixture and a breath of fresh air. Across a steadily developing repertoire, La Nuova Musica performances are characterised by vividness and ardour. The Times wrote of its 2009 performance of Handel’s 'Acis and Galatea' at the London Handel Festival: “[Bates] breathed life, meaning and shape into every phrase. His speeds were properly brisk and his little band responded with playing of robust vigour.”
At the 2009 Aldeburgh Easter Festival, the group’s interpretation of Schütz’s 'Musikalische Exequien' proved, in the words of the Eastern Daily Press, “to be one of the sensations of the weekend…effortlessly sung.” Audiences were thrilled by La Nuova Musica’s recent account of Monteverdi’s Seventh Book of Madrigals at the Spitalfields Winter Festival: “extrovert, free-spirited and alive to every sob, sigh and smile” The Times. In 2012, LNM embarks on an exciting new relationship with Kings Place, curating the winter concert season around its own performance of Monteverdi’s 'Orfeo'. A recital with renowned countertenor Robin Blaze and a performance of Bach’s 'Christmas Oratorio' follow in 2013. In March, 2012 they will give concert performances of Handel’s 'Il pastor fido', featuring Lucy Crowe, Katherine Manley and Clint van der Linde, including on 13th April, the London Handel Festival.
This recording marks the group’s harmonia mundi début. Future projects will include Vivaldi Dixit Dominus RV807, Vivaldi In furore Iustissimae RV626 and Handel Dixit Dominus HWV232.
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Awards and reviews
April 2012
Bates makes no attempt to address Il pastor fido's dramatic shortcomings in La Nuova Musica's world premiere recording. His love of Handel's instrumental textures is apparent...In Dennis, we have a fiercely individual voice with remarkable extension, in Shaw a stage-worthy characterisation, most moving in the staccato gasps of 'Se m'ami, oh caro'
June 2012
Bates lavishes evident care and affection on the score...in the main he directs his expert period band with spirit and imagination, while his singers all have pleasingly fresh, youthful voices...the most theatrically gripping [singing] comes from mezzo Madeleine Shaw as Dorinda...this set offers two hours and more of innocent, just occasionally not so innocent, Arcadian pleasures to anyone who loves Handel's music.
March 2012
Completist Handelians will doubtless be pleased to have a stylish account of the full 1712 score...Anna Dennis (Mirtillo) has a light, bright, if slightly breathy soprano and she makes little of the words...Both Lucy Crowe - the star of the set - and Katherine Manley bring more vim to the love rivals, Amarilli and Eurilla, their respectively creamy and lemony tones nicely and aptly contrasting.
22nd March 2012
rather than a living, breathing performance, the result is an elegant musical object
8th April 2012
the sensual orchestration is beautifully realised...Lucy Crowe's magnificent soprano is allowed full rein, and I enjoyed both Anna Dennis and Clint van der Linde, an outstanding countertenor. An auspicious debut.
9th March 2012
The first aria brings us scorching singing from soprano Anna Dennis as shepherd Mirtillo. The third brings Lucy Crowe, vibrant as Amarilli, the nymph of Mirtillo’s dreams. Katherine Manley, as the schemer Eurilla, is only slightly less demonstrative...A tonic; a definite tonic.
Classical Music 2nd June 2012
Bates and his companions make a virtue of simplicity in their world premiere recording of the original work. There's no want of surface detail, stylish phrasing or imaginative points of articulation here. But it's the natural ease of La Nuova Musica's work that leaves the deepest impression.
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