Cherubini: Arias & Overtures from Florence to Paris
Maria Grazia Schiavo (soprano)
Auser Musici, Carlo Ipata
Schiavo displays a nimble coloratura technique, phrases elegantly and makes much of her words...The Tuscan period band Auser Musici are robust rather than specially subtle partners, with, as...
Cherubini: Arias & Overtures from Florence to Paris
Maria Grazia Schiavo (soprano)
Auser Musici, Carlo Ipata
Purchase product
Schiavo displays a nimble coloratura technique, phrases elegantly and makes much of her words...The Tuscan period band Auser Musici are robust rather than specially subtle partners, with, as...
About
Following acclaimed discs exploring some of the more fascinating byways of the Italian eighteenth century, Auser Musici and its founder-director Carlo Ipata turn to the man Beethoven regarded as the finest of his contemporaries, Luigi Cherubini. It’s not difficult to understand why Beethoven was so impressed: this is music full of character and seriousness of intent, from the strong-jawed Sinfonia for the opera Armida abbandonata, written when Cherubini was just twenty-two, to the dark drama of the Overture to Démophon (which unaccountably failed to wow the sniffy Parisian audiences). And there are vocal delights too, showcasing a virtuosity that looks forward to Rossini and sung here with effortless agility by Maria Grazia Schiavo.
Contents and tracklist
- Auser Musici
- Carlo Ipata
- Maria Grazia Schiavo (soprano)
- Auser Musici
- Carlo Ipata
- Maria Grazia Schiavo (soprano)
- Auser Musici
- Carlo Ipata
- Auser Musici
- Carlo Ipata
- Maria Grazia Schiavo (soprano)
- Auser Musici
- Carlo Ipata
- Maria Grazia Schiavo (soprano)
- Auser Musici
- Carlo Ipata
- Maria Grazia Schiavo (soprano)
- Auser Musici
- Carlo Ipata
- Auser Musici
- Carlo Ipata
Awards and reviews
April 2012
Schiavo displays a nimble coloratura technique, phrases elegantly and makes much of her words...The Tuscan period band Auser Musici are robust rather than specially subtle partners, with, as recorded, a distinctly abrasive string tone. But there is no doubting the energy and commitment of their playing.
March 2012
These are the first performances I have heard by Auser Musici, technically and musically a notably accomplished original-instrument ensemble. Its founder, Carlo Ipata, gives Cherubini's music his considerable all
9th February 2012
What really surprises here, however, is that the lofty master of the severely sculpted phrase kicked off his career by writing coloratura showstoppers of fashionable difficulty for the divas of his day...Schiavo's coloratura generates the thrill of an athlete leaping hurdles. But when she essays anything like a sustained line, you're aware of shallowness in the tone.
