Special offer. Beethoven: Complete Works for Piano and Orchestra
Howard Shelley (piano and conductor), with Tasmin Little (violin) & Tim Hugh (cello)
Opera North Orchestra, with Opera North Chorus
Awards:
-
Gramophone Magazine, January 2012, Editor's Choice
there are several reasons to shout about it...there's Shelley himself: a pianist whose quiet musicality and unobtrusive virtuosity shine through everything he touches...Throughout the set, there's...
Special offer. Beethoven: Complete Works for Piano and Orchestra
Howard Shelley (piano and conductor), with Tasmin Little (violin) & Tim Hugh (cello)
Opera North Orchestra, with Opera North Chorus
Purchase product
Awards:
-
Gramophone Magazine, January 2012, Editor's Choice
there are several reasons to shout about it...there's Shelley himself: a pianist whose quiet musicality and unobtrusive virtuosity shine through everything he touches...Throughout the set, there's...
About
The piano remained the main instrument of Beethoven throughout his life, and this specially priced 4-CD box set represents his entire and sizeable output for piano and orchestra, starting with the early Piano Concerto in E flat,
WoO 4 – a work of tremendous energy and great technical demands, which Beethoven wrote when he was just twelve years old – and ending with Piano Concerto No. 5, the only one that Beethoven never performed himself in concert, due to his developing deafness.
Howard Shelley was awarded an OBE for services to classical music at the 2009 New Year Honours. He here conducts the Orchestra and Chorus of Opera North from the piano. Shelley has recorded extensively for Chandos over the years, and he has combined the role of solo pianist and conductor on numerous occasions, most recently with the Orchestra of Opera North in Piano Concertos by Schumann, Saint-Saëns, and Grieg (CHAN 10509), but also with the London Mozart Players, recording works by Cramer, Hummel, Mendelssohn, and Mozart. All his recordings have received superb reviews.
Beethoven wrote the Triple Concerto on this disc in 1803 during a lull in the composition of his opera Fidelio. Works for violin, cello and piano were fairly common at the time – but combining them with orchestra was, as Beethoven himself observed, something entirely new, and no other concerto of this kind from this period is known today.
In this work, Howard Shelley is joined by the violinist and exclusive Chandos artist Tasmin Little, who won the Critics’ Choice Award at this year’s Classic BRITS, and by the cellist Tim Hugh, of whom The Times said: ‘Mr Hugh is much more than just a Cellist, he is a musician with a compelling insight into the creative urge behind the notes.’
Contents and tracklist
Awards and reviews
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Gramophone MagazineJanuary 2012Editor's Choice
January 2012
there are several reasons to shout about it...there's Shelley himself: a pianist whose quiet musicality and unobtrusive virtuosity shine through everything he touches...Throughout the set, there's a humanity to Shelley's music-making; it's particularly affecting in the B-flat Concerto, which he imbues with warmth as well as wit...this is a major new cycle, an important addition not only to the catalogue but also to Shelley's exceptionally fine discography.
June 2012
all concerned seem to be at one with a composer who is often harder to gel with than we like to think...For most listeners, Shelley’s Beethoven-as-is approach, with clarity the hallmark, will be a positive virtue, though that doesn’t mean that there’s any lack of power
21st January 2012
this is svelte, affectionate orchestral playing, with a particularly seductive principal oboe. And Shelley knows just when to step back when Beethoven’s solo line slips into note-spinning mode, letting his Leeds players sing....This is a wonderful box. It’s easily the equal of starrier sets from the past - Barenboim, Kempf, Perahia etc. Buy it.
