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Verdi: Ernani

Mario del Monaco (Ernani), Ettore Bastianini (Don Carlo), Nicola Rossi-Lemeni (Don Ruy Gomez de Silva), Margherita Roberti (Elvira), Anna di Stasio (Giovanna), Athos Cesarini (Don Riccardo), Mario Rinaudo (Jago)

Orchestra del Teatro di San Carlo, Fernando Previtali

Roberti has the measure of her role, of Verdi's idiom; her line steady in all she sings, her tone well bound...[Del Monaco's] is an all-out interpretation, with his voice blazing forth, if not,...

Verdi: Ernani

Mario del Monaco (Ernani), Ettore Bastianini (Don Carlo), Nicola Rossi-Lemeni (Don Ruy Gomez de Silva), Margherita Roberti (Elvira), Anna di Stasio (Giovanna), Athos Cesarini (Don Riccardo), Mario Rinaudo (Jago)

Orchestra del Teatro di San Carlo, Fernando Previtali

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2 CDs

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44.1 kHz, 16 bit, FLAC/ALAC/WAV

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No digital booklet included

Stream now lossless, 44.1 kHz, 16 bit
Roberti has the measure of her role, of Verdi's idiom; her line steady in all she sings, her tone well bound...[Del Monaco's] is an all-out interpretation, with his voice blazing forth, if not,...

About

This live recording was made in Naples on 27th November 1960.

Contents and tracklist

Preludio
Track length3:04
Act I Scene 1: Evviva! … (All, Chorus)
Track length2:03
Act I Scene 2: Merce, diletti amici - Come rugiada al cespite (Ernani, Bandits)
Track length3:23
Act I Scene 2: Dell'esiglio nel dolore (Ernani, Bandits)
Track length2:00
Act I Scene 3: Surta e la notte … Ernani! Ernani, involami (Elvira)
Track length6:18
Act I Scene 4: Tutto sprezzo che d'Ernani (Elvira, Maids)
Track length1:51
Act I Scene 5: Fa che a me venga … (Carlo, Giovanna)
Track length3:06
Act I Scene 7: Da quel di che t'ho veduta (Carlo, Elvira)
Track length4:07
Act I Scene 8: Non t'ascolto, mia sarai (Carlo, Elvira, Ernani)
Track length2:35
Act I Scene 8: Infelice! E tuo credevi … Infin che un brando vindice (Silva)
Track length4:12
Act I Scene 9: Infin che un brando vindice (Silva, Chorus, Ernani, Carlo)
Track length2:18
Act I Scene 9: Io tremo, sol'io per te (All)
Track length3:52
Act I Scene 9: Mio signor, dolente io sono (Silva, Carlo, Elvira, Ernani, Jago, Riccardo, Giovanna, Chorus)
Track length2:58
Act II Scene 1: Esultiamo! (Chorus)
Track length1:39
Act II Scene 2: Jago, qui tosto (Silva, Ernani)
Track length2:09
Act II Scene 3: Oro, quant'oro ogni avido (Ernani, Elvira, Silva)
Track length2:58
Act II Scene 4: Tu, perfida … (Ernani, Elvira)
Track length5:03
Act II Scene 7: No, vendetta più tremenda (Silva, Elvira, Ernani)
Track length1:10
Act II Scene 8: Cugino, a che munito (Carlo, Silva)
Track length3:15
Act II Scene 9: Lo vedremo, veglio audace (Carlo, Silva)
Track length5:38
Act II Scene 9: Vieni meco, sol di rose (Carlo)
Track length1:50
Act II Scene 12: Vigili pure il ciel (Silva)
Track length5:41
Act III Scene 1: E questo il loco? (Carlo, Riccardo)
Track length3:40
Act III: Recitative and Aria: Gran Dio! … Oh, de'verd' anni miei (Carlo)
Track length5:14
Act III Scene 3: Ad augusta! (Chorus, All)
Track length5:36
Act III Scene 3: Si rideste il Leon di Castiglia (Chorus)
Track length5:31
Act III Scene 3: O sommo Carlo (Chorus)
Track length4:17
Act IV Scene 1: Oh come felici - gioscon gli sposi (Chorus)
Track length3:39
Act IV Scene 4: Cessaro i suoni (Ernani, Elvira)
Track length5:25
Act IV Scene 5: Final Scene: Se uno squillo intendera (Silva, Ernani, Elvira)
Track length6:24
Act IV Scene 5: Solingo, errante e misero (Silva, Ernani, Elvira)
Track length2:47
Luisa Miller, Act II Scene 3: Quando le sere al placido
Track length5:03
I vespri siciliani, Act V: Merce, dilette amiche
Track length3:45
La Juive, Act IV: Rachel, quand du Seigneur
Track length5:46
Il trovatore, Act IV: D'amor sull'ali rosee vanne
Track length4:42
La Gioconda, Act IV: Suicido! …
Track length4:17
Un ballo in maschera, Act II: Teco io sto
Track length9:26

Awards and reviews

December 2011

Roberti has the measure of her role, of Verdi's idiom; her line steady in all she sings, her tone well bound...[Del Monaco's] is an all-out interpretation, with his voice blazing forth, if not, to my ears, with a lovely sound...[Bastianini] is at his most voluminous with resounding notes a-plenty, but he supplies little modulation of that grand sound and not much evidence of imagination. Don't, however, decry the effect his voice can have per se.
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